Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 5 hours ago).
"(47 minutes of minimalist spiritual jazz-meets-classical-meets subtle electronic touches. I, at first, honestly thought this would probably be something that made me think I just didn't "get it" but by the end of the 1st listen and certainly by the end of the 2nd, I did feel a certain calm come o...""(47 minutes of minimalist spiritual jazz-meets-classical-meets subtle electronic touches. I, at first, honestly thought this would probably be something that made me think I just didn't "get it" but by the end of the 1st listen and certainly by the end of the 2nd, I did feel a certain calm come over me and a certain wonder at the beauty of the music and life in general. Its a delicate, stirring, touching album that I highly recommend.)
I am so set on listening to music in search of hooks, interesting riffs, drum fills, showy bite-sized solos, lyrical snippets, word plays, melodic bits, walls of sound, and many many other ear-catching and immediate and tangible things. I listen to most music and it provides what it is quick and there is something distinct and bright and loud and up front to latch on to. Very rarely does an album come along that stops me and slows me and makes me just BE. Occasionally an ambient or new age album will do it, or a more minimalist jazz album, but I listen to those albums so rarely sometimes I forget what it's like to be given a gentle "shhhh" by an album. Obviously, as I am commenting on Promises - this recent collab between electronic artist Floating Points (who I had zero previous experience with), jazz legend Pharaoh Sanders and the London Symphony Orchestra - I must be indicating that this was one of those rare albums that made me stop overthinking and stop bloody fidgeting and just experience music. And, yes, you figured me out. That is exactly what I am getting at.
This album on first 2 tries was rejected by me. I was up and about and getting ready for work and I put this on, and it was like my whole body and mind just said "nope" and I couldn't do it and I stopped it and put on probably a loud Grindcore or Post Punk album instead. Then a week or so later I tried again and yet again I felt like I just couldn't give this piece the time and peace it deserved. Finally today, Monday the 12th of April, after a long and stressful weekend of work, I woke up and played this album and almost the same response happened. I heard those same 7 notes played over and over and 4 minutes in I was close to just writing it off as something I just personally "don't get" or "it's not made for me". Then something happened. I told myself to just shut up, be still for a bit and just experience the music. Don't check twitter, don't play some stupid game on your phone, don't do it. Don't look online at other reviews, don't read news stories, don't start reviewing the album track by track, etc. Instead, just be still and listen to the music, the minimal and repetitive electric piano, the soulful and sad and yet peaceful and perfect saxophone "speeches" from Sanders, listen to the subtle orchestral bits swelling and waxing and waning underneath the 2 main musical instruments, listen and observe those subtle changes and the way they slowly grow and then shrink and then grow again. As I did this, I admit I started feeling myself relax and enjoy not just the music more but also I started to appreciate my current situation, I started smelling the proverbial roses. And when the album ended I enjoyed the silence for a few moments and I thought about what I had heard. I started writing this and pushed play again on Promises.
My experience perhaps will be mirrored or at least similar for many other music fanatics that generally don't listen to this type of cerebral, slow and building music. There are no major pay offs in terms of large walls of sound and fury like you'll hear on many other jazz and classical and post rock pieces/albums. The start of the piece may seem familiar for many music fans, but outside of some increased intensity on Movement 6, this album isn't one to build and build until an inevitable loud and intense resolution. This work seems more to be a rumination all the way through. It takes these subtle, minimal elements and themes and rides with them and creates a quiet chamber where the listener can simply Be with the music and think of promises, life, future, past, people you know and people you may yet come to know. It's, for me anyway, a 47 minute piece of music I can put on to gather myself.
That's not say that one can't also listen to this and hear some vibrant and tangible details. Because, there are dozens of moments when I was listening when I heard a particular saxophone melody that was gorgeous and clear, there are moments when the subtle electronic synth part sticks its head out and plays about with something, there are symphonic swells that can make you misty-eyed and inspired, and those are excellent moments. In the main, however, for me anyway, this is an album less involved in moment-to-moment highlights and more involved in creating its own space in this wild world we live in, a space where we can take stock, relax, ruminate and Be ourselves. It does this near-flawlessly and all musicians involved in Promises contribute what they have to creating this atmosphere with no one (not even the legend Pharaoh Sanders) ever seeming to be showy or stealing the show intentionally. Every note and little detail is there to create the atmosphere of the music.
I'd be lying if I said this was 100% my style, or if I said this album alone has sold me on the virtues of minimalism and this sort of slow building atmospheric music. I doubt I will listen to this for a week non-stop or come to the conclusion this is my favorite album of the year. I doubt I will go and do one of those funny music nerd things where I research everything I can on this style and listen to almost exclusively this sort of music for months. I still prefer, given 2 or 3 options before me, a wild and loud and hook-filled album over a slow work of minimalist Third Stream or whatever this is. I will say though, that my expectations were surpassed by this and I have been enriched by having listened to this album a couple times. And, yes, its one of the better albums I've heard this year. And I suspect I will be coming back to it for years to come,
If the genre description or the way this album is spoken of is possibly turning you off or making you think its an abstract and perhaps pretentious album and so you are thinking to avoid it, I recommend going ahead and clearing out 47 minutes of your life and listening. I was in the same boat as those of you who thought it wouldn't connect, and yet it did as you can see from this rambling and pointless little write up. If you finish the album and you don't feel at least a little more at peace and a little more enriched, well, 1.) I will be surprised and 2.) you can move on from the album and listen to your usual jams whatever those may be (There is nothing wrong with that either.)."[+]Reply
"Solid album all the way through; lots of blues-rock goodness with Morrison's iconic vocals and lyrics. Roadhouse Blues, Waiting for the Sun, and Peace Frog are the highlights, but I also quite like You Make Me Real. Everything else is enjoyable."Reply
"I'm probably in the minority when I say this, but I think this is their best album. It may not have some of the big and timeless hits as their other albums did and Dani California was played WAY too much on the radio, but I cannot find a bad song on this album. That's amazing for a 28 song album....""I'm probably in the minority when I say this, but I think this is their best album. It may not have some of the big and timeless hits as their other albums did and Dani California was played WAY too much on the radio, but I cannot find a bad song on this album. That's amazing for a 28 song album. There are only a few that I would say are average, but the rest are above average or real good.
My favorites are Snow(Hey Oh), Charlie, Desecration Smile, Tell Me Baby, and Readymade."[+]Reply
""The Past is a Grotesque Animal" changed my perception of reality. Also it made me violently move my body parts in a rhythmic fashion. Also it's a fantastic song."Reply
"sheer bloody genius. If this lp only contained Tightrope alone it would be classic (like carry on my wayward son is the only classic song on that Kansas lp) but there is also Telephone Line, Do Ya and Livin Thing. In it's day, it sold for a new world record too."Reply
"This whole album is an accurate narrative of a crazy drug trip. First the fun rush (Feel Good Hit of the Summer), then the horny feeling (Auto Pilot), the height of the trip where the world starts spinning (Better Living Through Chemistry), the slow fallout along with a second wind (In the Fade),...""This whole album is an accurate narrative of a crazy drug trip. First the fun rush (Feel Good Hit of the Summer), then the horny feeling (Auto Pilot), the height of the trip where the world starts spinning (Better Living Through Chemistry), the slow fallout along with a second wind (In the Fade), and finally, the stumbling walk back home (I Think I l Lost My Headache)."[+]Reply
"If nothing else, this is an incredibly diverse album. There's pop, hard rock, waltzes, elements of world music, blues, folk, psychedelia and so on. Very difficult to classify, but it's just "out there" enough to catch people's ear, yet not so indulgent as to scare off listeners who prefer more co...""If nothing else, this is an incredibly diverse album. There's pop, hard rock, waltzes, elements of world music, blues, folk, psychedelia and so on. Very difficult to classify, but it's just "out there" enough to catch people's ear, yet not so indulgent as to scare off listeners who prefer more conventional sounding music."[+]Reply
"The first album is great, but this is their defining statement. The sound and feel is better, even on the buzz saw songs which is what the first album was almost all about. The writing here is stronger over two full sides, and this one even boasts some variety. 'Sheena' and 'Cretin' maintain the ...""The first album is great, but this is their defining statement. The sound and feel is better, even on the buzz saw songs which is what the first album was almost all about. The writing here is stronger over two full sides, and this one even boasts some variety. 'Sheena' and 'Cretin' maintain the classic sound, 'Lobotomy' and 'Happy Family' are silly, ridiculous fun, and 'Here Today Gone Tomorrow' slows things down enough to reveal some sweet heartbreak, both in Johnny's guitar and Joey's vocal. Even if you think the Ramones sound too 'samey' over their career, you must at least have the first album and this one."[+]Reply
"This will easily be one of my albums of the year if not THE album of the year. Really catchy tunes and some really clever lyrical work here. The production here is also of exceptional quality. Highlight - the baseline intro to Violence and this track in general. Fav tracks - Violence, Total Footb...""This will easily be one of my albums of the year if not THE album of the year. Really catchy tunes and some really clever lyrical work here. The production here is also of exceptional quality.
Highlight - the baseline intro to Violence and this track in general.
Fav tracks - Violence, Total Football, Before the Water Gets Too High, Back to Earth, Wide Awake, Death Will Bring Change, Tenderness
Weakest track (but still good) - NYC Observation
9/10 could be higher on repeat listens"[+]Reply
"If you have listened to this album once or twice.... you need to listen to it maybe 5 more times in order to get it! It will grow on you I promise!! This is probably the Saddest album I've heard in my life. I have. to say it's my Top 3 albums of all time.... Like I said in the review on "The Rave...""If you have listened to this album once or twice.... you need to listen to it maybe 5 more times in order to get it! It will grow on you I promise!! This is probably the Saddest album I've heard in my life. I have. to say it's my Top 3 albums of all time....
Like I said in the review on "The Raven", I've only started listening to SW's music 4 months ago. This is the second SW solo album I bought after "The Raven". I can tell you my first impression on the album wasn't as great as his other works like "The Raven" and "Fear of a blank planet", I found the first few tracks are too "Poppy" for my likings, the 2nd half of the album was more enjoyable than the first half. However, after giving it a few more listen, this album has become my favourite prog-rock concept album of ALL TIME, high above Dark Side of the Moon, and I'll tell you why.
To be able to fully appreciate this album, you need to know the concept behind and read the fictional story that SW wrote for the album booklet. I'm sure many of us who bought the album know it's inspired by the real-life story of Joyce Carol Vincent whose body was found in her apartment in London after she's been dead for nearly 3 years. Next to her body were wrapped presents to her family that never got delivered. People wondered how come no one missed her in 3yrs? This album is about urban alienation, and the state-of-mind of a deeply depressed woman who chose to cut herself off from her family, friends and the society eventually.
This album actually has a lot more heart & depth compared to "The Raven". Even though The "Raven" successfully emulated the 70's prog rock sound with tight drumming from Marco, Scorching guitar solo from Guthrie Govan, to me it's more of a Tribute Album to King Crimson/Genesis/Jethro Tull. It's pleasant/euphoric to listen to, but you wouldn't think much about it after.
Versus Hand Cannot Erase, I feel my stomach churned every time I listened to it. Adam Holzman's keyboard work is definitely the highlight of this album. I could hear the emotion pouring out of every key he pressed. The flow of the album is my favourite, each track is carefully placed in order, it's like reading the diaries of the main character and you could feel her emotional state each step of the way. It is meant to be listened from the beginning to the end to get the full picture.
Track List and my own interpretation:
1. First Regret - It starts off with Adam Holzman's gloomy keyboard sound and SW's brooding soundscape. It's calling for your attention.
2. 3 Year Older - It's your typical pop rock song, it gives you the first glimpse of the main character's state-of-mind. She's starting to relate to someone who she once knew before... someone who disappeared from her life and she didn't understand why... but now she does..."I can feel you more than you really know.... I can love you more than I'll ever show"
3. Hand Cannot Erase - This is a stellar pop track! It showcases SW's ability to create different type of music. It expresses the desire of the main character that she just wanted to be left alone. It's something we can all relate to...."Writing lying emails to our friends back home...feeling guilty if we sometimes wanna be alone" "It's not you, forgive me if I find I need more space..." I'm sure we all feel that way sometimes.... some days we just want to be left alone
4. Perfect Life - Pure Electronica piece, one of my favourite tracks. It's the monologue of the main character talking about the foster sister that she once had. She's 3 years older and she disappeared from the main character's life. Now we know the track "3 Year Older" is about that long lost friend
5. Routine - This is one of the saddest songs I've heard in my life. It has nothing to do with the story of this album. It's more like a side story about a woman's grief after the lost her children. She had to maintain her daily routine in order to keep sane. The highlight was Guthrie Govan's guitar solo and Ninet's heart-wrenching vocal. I've listened to this song many times, and I cried every time when I heard the line "Don't ever let go.... try to let go....", it's a struggle everyday.... you know you need to move on, but when is it OK to move on?
6. Home Invasion - It's one of the heaviest tracks on this album, it has some Metal riffs. This song talks about the social detachment people have due to Internet and Social Media. Technology brings us closer and further at the same time. We get on line, we know everything that's happening around the world at the comfort of our own home. People don't even interact with each other any more because Texting/Tweeting/Facebooking is easier...everyone has a different visage on the internet, you can be anything, anyone you want...
7. Regret #9 - This one is an instrumental track showcasing each members' musicianship. The opening sounds very RUSH. If you didn't know, you would think you are listening to Rush. This is one of the best and heavier tracks of the album.
8. Transience - Another favourite track of mine. This is the most melodic track in the album. I could definitely hear the influence of Pink Floyd especially the harmonies. It's very folksy & melodic, you just want to sing along. It's simply beautiful.
9. Ancestral - This is probably the best track in the album. It's a 13-min long journey packed with tons of goodies including SW's lush and brooding guitar sound and haunting vocal; Adam's magical keyboard/organ works and Guthrie's sky-scorching guitar solo. Definitely cannot be missed.
10. Happy Returns - This is definitely THE saddest song I've ever heard in my life. I thought there's no song that can top the sadness of 'Routine", but this song did it. I have to say the first 20 times when I heard this song, I just find it very sad, but it never got me to the point that I had to weep uncontrollably like 'Routine". I only truly experienced how sad this song actually is when I saw it performed live at the SW's concert. The song is a letter she wrote to her brother after she cut herself off from her family for years. She tried putting up a strong front so people would think she's ok, but she's actually very broken. It almost seemed like it's her way of crying for help, she's in the verge of breaking down. Her train-of-thoughts were very scattered... one moment she expressed her helplessness "I feel like I'm falling once again... but there's no one left to catch me..." Another moment she's talking about her financial trouble and suddenly asked if her nieces & nephews remember her... "I've got trouble with the bills... do the kids remember me?... I got gifts for them and for you... and sorrow.... but I'm feeling kinda drowsy now... so I'll finish this tomorrow..." Even though the song never implied the fate of the character, but we all know those gifts never got delivered and she's never waking up again. (Joyce Carol Vincent died in her apartment with undelivered wrapped presents around her.) I lose it every time when I thought about how she died alone and no one missed her for years.......
11. Accident Here One - It's all Adam Holzman's emotional keyboard work!! I'm a true fan of him now after seeing him performed this album live. I saw big guys weeping at the concert when Adam concluded the show with this gloomy piece of art.
I have to say there's no other albums I've listened to in my life made me feel that touched and emotional. This is an essential collection for music fans across all genres... not just Pop Rock and Prog Rock fans... but music fans with good ears in general. It is sad... but like Steven Wilson said "I find sad music uplifting!". This album is truly a masterpiece!
"[+]Reply
Mercury | Helpful? (Log in to vote) | +6 votes (7 helpful | 1 unhelpful)
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SquishypuffDave | Helpful? (Log in to vote) | +12 votes (12 helpful | 0 unhelpful)
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Decurso | Helpful? (Log in to vote) | +4 votes (4 helpful | 0 unhelpful)
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