Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 1 hour ago).
"After a slightly disappointing 2nd album (You're Gonna Get It), Petty & the band broke out big with this album. Showing some punk attitude and the frustration over a recent fight with their record comany, Petty comes out with a bit of a snarl and a collection of great songs. From start to finish,...""After a slightly disappointing 2nd album (You're Gonna Get It), Petty & the band broke out big with this album. Showing some punk attitude and the frustration over a recent fight with their record comany, Petty comes out with a bit of a snarl and a collection of great songs. From start to finish, this album is loaded with well written songs. The band is dead on, and Petty sounds like he is ready to take over the world. The album has aged incredibly well, sounding just as fresh 30 years later.
Has it really been 30 years since Refugee? Damn....."[+]Reply
"One of the best albums of all time, the quality of the songs is just sublime... so far ahead of most 1966 albums. The Kinks actually had something to say here unlike 99% of their peers. Middle class life in England and the gap between rich and poor (A House In The Country, Sunny Afternoon), runni...""One of the best albums of all time, the quality of the songs is just sublime... so far ahead of most 1966 albums. The Kinks actually had something to say here unlike 99% of their peers. Middle class life in England and the gap between rich and poor (A House In The Country, Sunny Afternoon), running away from home (Rosie Wont You Please Come Home), the opener song from this album deals with anonymity (Party Line) which is well ahead of its time. Look at where we are now, nobody knows you on the internet, just like the lyrics of Party Line predicted. "Is she big, is she small, is she a she at all" (preceding Lola, their biggest hit, a song about a transexual). The two songs Dandy and Fancy are about polygamy (Fancy: the music playing being an imitation of indian music - a novelty at the time, music and lyrics are from connected from that stand point, Dandy is a music hall style song of 2 minutes about Dave Davies and "that 2 girls are too many, 3 is a crowd and 4 you're dead"). The songs are connected through a certain theme, that being society in England and how it actually is, instead of what Ray Davies projects a fantasy of England (see: Village Green Preservation Society). Holiday In Waikiki is about winning a ticket to Hawaii, thus temporarily escaping the mundane middle class life and enjoying one self), Most Exclusive Residence For Sale is about the same guy who had a "House In The Country" who now loses his private property and has to pay off a mortgage (big problem in the 50s and 60s and after for that social class, the protagonist now being part of the middle class)
You don't have to read so much into the lyrics as all of this is really obvious.
Too Much On My Mind is about a mental breakdown that Ray Davies had earlier in 1966 (kind of reminds me of the many personal songs he wrote around that time, see: Two Sisters from another great album, Something Else).
I'll Remember and You're Looking Fine don't really fit in all that much like the 12 masterpieces on this album but they are alright, just average rock songs from 1966, nothing special, not too bad either, I certainly prefer them to a lot of songs featured in the album before this.
Rainy Day In June is a very atmospheric, unqiue song, using sound effects in a way not many other rock / pop bands did before (The Beatles and the Beach Boys did use sound effects too, the Kinks used them for multiple songs on the same album: Party Line, Holiday In Waikiki, Rainy Day In June. They also used effects for a single like the Beatles and Beach Boys did, Yellow Submarine, Caroline No, that Kinks single being Big Black Smoke)
All in all, I think Face To Face deserves to be so highly rated, being around the 890s in the overall ranking. Personally, I think it should be at least in the top 3 of 1966, but 8th place in 1966 isn't that bad. Evidently, more than enough people know about it, the instrumentation might be the reason why it's not as highly ranked in the Kinks discography like Arthur, Lola vs Powerman or even Something Else. All these albums have in common that the instrument playing is more enjoyable to the average listener and while Face To Face has good riffs and great basslines, the band who made it added more instruments for the following four albums and made the songs a bit deeper (not in a lyrical sense). In a way, Face To Face was the last garage rock album but at the same time the first operetta type concept album the Kinks did. "[+]Reply
"It's hard to find good 80s music outside of the obvious. This, however, is exactly the sort of thing I hope to uncover when digging a little deeper into the Dark Decade."Reply
"I hope I'm not committing any form of blasphemy by encouraging this, but considering the fact that Big Star's third album was ultimately abandoned due to lack of interest by the band members, I believe this creates a rather interesting opportunity for us fans to create the track listing however w...""I hope I'm not committing any form of blasphemy by encouraging this, but considering the fact that Big Star's third album was ultimately abandoned due to lack of interest by the band members, I believe this creates a rather interesting opportunity for us fans to create the track listing however we see fit, in terms of both the amount of songs, and the order. Now, I know what you may be thinking, perhaps it's perfect the way it is, and yes, perhaps that is the case. But we all know there are many different track listings, all trying their best to create that 'flow' all musicians want. Personally, I've found this track listing to be the best (See Below). And with it, I think it ultimately stands as becoming the strongest Big Star album of the lot - that is, of course, if that wasn't already the case.
SIDE ONE:
1. Stroke it Noel
2. For You
3. Nightime
4. Blue Moon
5. Femme Fatale
6. Thank You Friends
SIDE TWO:
7. Jesus Christ
8. Big Black Car
9. Dream Lover
10. Holocaust
11. Kangaroo
12. Take Care"[+]Reply
"I really don't understand people saying this album only has Walk this Way or Sweet Emotion, and lacks consistency. IMO this is a very consistent album, with only Round and Round and Big Ten Inch not grabbing me in some way (although 10" is pretty amusing). While all the songs are hard rock (cept ...""I really don't understand people saying this album only has Walk this Way or Sweet Emotion, and lacks consistency. IMO this is a very consistent album, with only Round and Round and Big Ten Inch not grabbing me in some way (although 10" is pretty amusing). While all the songs are hard rock (cept You See Me Cryin), none of them sound like duplicates, each song having a distinctive feel. The title track is almost proto-thrash in its tempo, and also highlights one of the two main things that I think makes Aerosmith special: the guitar interplay between Whitford and Perry. Adam's Apple (among other tracks) highlights the other thing: Steven Tyler. While his style is certainly a matter of taste (no one would call him the most talented vocalist around), I find his shouts and yowls and general high energy level to be very entertaining to listen to.
While the lyrics on this album are certainly not 'deep,' I think it would be a mistake to call them bad. Adam's Apple may just be about sex, but I think the metaphors and whatnot are entertaining.
Honestly, I think my overall point here is that this is a very entertaining album if you like hard rock. It may not be groundbreaking or particularly deep, but it has some very strong songs played by one of the most distinct rock groups ever. Sometimes, that's all you want to listen to."[+]Reply
"Outside of OK Computer, I don't know if there was ever a more necessary album for the well-being of a band. Blur was a thread away from being dead and buried for good, especially after a brutal trip to the US where our love for grunge was blinding us in 1992 and 1993 (I myself would not hear of B...""Outside of OK Computer, I don't know if there was ever a more necessary album for the well-being of a band. Blur was a thread away from being dead and buried for good, especially after a brutal trip to the US where our love for grunge was blinding us in 1992 and 1993 (I myself would not hear of Blur until years later.) Luckily the anger and depression of failure provided inspiration, and Blur hit a number of popular records in a row. I understand that the majority of the album is a fuck you to my kind on the other side of the Atlantic, but I have no ill-wills because the music is so good. If in the end America did end up saving Blur, I'm rather proud in a way. "[+]Reply
"Cohen returns with a gem. The first four tracks are pure perfection. This adds to his canon as much as his first three albums do. Don't dismiss Cohen as simply a 60s songwriter. His later work has nuggets of perfection as well."Reply
"'Scott 4', by far Scott Walker's best album, maintained the Brel influence of his previous three, but now the material (a decadent mileu of prostitutes, gansters and misfits) and his operatic vocal style, was all his own. Whereas the arrangements on his previous albums were influenced by Bacharac...""'Scott 4', by far Scott Walker's best album, maintained the Brel influence of his previous three, but now the material (a decadent mileu of prostitutes, gansters and misfits) and his operatic vocal style, was all his own. Whereas the arrangements on his previous albums were influenced by Bacharach and Spector, here Morricone shines through. Walker's significance is he managed to transcend the up-dated but essentially old fashioned easy-listening sound of the ballad, to something altogether deeper and philosophical in a manner that not only predated, but was superior to, the work of somebody like David Bowie. Key track: The Old Man's Back Again. "[+]Reply