Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 4 hours ago).
"Chance has a very similar sound to Kendrick Lamar, whose debut album last year received all kinds of praise. The music is great, and more importantly, Chance’s rapping ability is great. He has a playful youthfulness to him, but isn’t afraid to get serious. Perhaps the line that really stuck in my...""Chance has a very similar sound to Kendrick Lamar, whose debut album last year received all kinds of praise. The music is great, and more importantly, Chance’s rapping ability is great. He has a playful youthfulness to him, but isn’t afraid to get serious.
Perhaps the line that really stuck in my head most is from the second half of “Pusha Man", in which Chance raps about his hometown of the south side of Chicago: “They be shooting whether it’s dark or not, I mean the days is pretty dark a lot/Down here it’s easier to find a gun than find a fucking parking spot" and later, “Everybody dies in the summer/Wanna say your goodbyes, tell them while it’s spring". It’s really reflective, and pretty sad. But Chance takes the sadness and bad circumstances he was born into and works through them, eventually making light of them, adding a bit of levity to the situation. There’s some great guest appearances on this album, most notably the appearances of Childish Gambino and Action Bronson, both of whom do really well."[+]Reply
"Richard D. James is a genius. The man has an ability that few do, the way he is able to manipulate music, to subtly change small things here and there throughout songs is incredible. Sometimes instrumental electronic music can get boring, but not here, not even for a second. Every minute you’re d...""Richard D. James is a genius. The man has an ability that few do, the way he is able to manipulate music, to subtly change small things here and there throughout songs is incredible. Sometimes instrumental electronic music can get boring, but not here, not even for a second. Every minute you’re discovering something new, like walking through a mansion, there’s another room, intricately decorated and you could spend hours just being in that room, but you move on to the hundred other rooms. It’s truly an incredible album, a beautiful album, and one well worth the wait."[+]Reply
""hair metal" yada yada, "spawned mtv's unplugged" yada yada ... What really strikes is that this is hard rock with a stylistic edge with fun hooks that doesn't overstay its welcome. The key ingredient to this album's, and this band's success, is jon bon jovi's writing chops -- the everyman workin..."""hair metal" yada yada, "spawned mtv's unplugged" yada yada ... What really strikes is that this is hard rock with a stylistic edge with fun hooks that doesn't overstay its welcome. The key ingredient to this album's, and this band's success, is jon bon jovi's writing chops -- the everyman working man just trying to survive. "you give love a bad name" and "living on a prayer" are the best tracks."[+]Reply
"First, don't want to ruin this experience for anybody by over hyping it. Take it in in a natural way. So, Beach House is my favorite. I contemplate my favorite album of all time as Teen Dream, Bloom, Depression Cherry, and now Once Twice Melody. This album blows me away with the sonics and sounds...""First, don't want to ruin this experience for anybody by over hyping it. Take it in in a natural way. So, Beach House is my favorite. I contemplate my favorite album of all time as Teen Dream, Bloom, Depression Cherry, and now Once Twice Melody. This album blows me away with the sonics and sounds they captured on this album. I heard this once so far in full and it fucking blew my mind. I know my tastes of music well and I know what I like. I've been seriously listening to music for about 13 years now and the other 14 I was listening but not as close. This is the best double album of all time, I don't like, I love every single song. Beach House explores different sonics on this one and it even has some sounds that Muse would come up with without Muse's technical abilities. The keyboards are very cool and beautiful sounding. Victoria is an artist and showcases her art on this one in a very creative way. Alex is great too but I don't like acoustic guitar but for some reason, I like it on this album when it has its 3-4 moments. "[+]Reply
"Among the greatest Metal/Thrash albums ever recorded. For me, Black Sabbath Black Sabbath, Metallica Ride the Lightning, Metallica Master Of Puppets, Metallica ...And Justice For All, Pantera Vulgar display of Power. A great change from Metallica's Black Album, at the time. Crazy concert too. '94...""Among the greatest Metal/Thrash albums ever recorded.
For me, Black Sabbath Black Sabbath, Metallica Ride the Lightning, Metallica Master Of Puppets, Metallica ...And Justice For All, Pantera Vulgar display of Power.
A great change from Metallica's Black Album, at the time.
Crazy concert too. '94 Cincinnati Gardens, the crowd pulled all the chairs out of the way and piled them on the floor like they were preparing for an indoor bon-fire.
Good Times.
Dimebag ranks among the best ever as well. "[+]Reply
"Nice second effort from Welch who seems to try to get a bit more serious in her work with vocal harmonies and to distance herself from the more accesible music of her the debut, it has some nice tunes but it lacks consistency in general, particularly in the middle..."Reply
"New Review. I love this all the more... Due to laziness, I will just include this review of sorts I have on my as-of-now-nonpublic Dylan chart. I wrote this 4 years ago! (Time flies, love all you BEA buddies I've had for 5 years now) "Beautiful, charming, short-and-sweet, countrified, humble, and...""New Review. I love this all the more...
Due to laziness, I will just include this review of sorts I have on my as-of-now-nonpublic Dylan chart. I wrote this 4 years ago! (Time flies, love all you BEA buddies I've had for 5 years now)
"Beautiful, charming, short-and-sweet, countrified, humble, and fantastic album through and through! What I love about this album is it just manages to make me feel happy. It's so optimistic. It is so clearly a huge change away from serious or overly introspective elements of his music. It's amazing to me that Dylan could switch off to a whole new zone and genre of music and pull it off so perfectly.
The lyrics are simple, direct country-style nuggets of beauty. It ain't hard to pick up what is being expressed here. The musicians that back him up here sound great.
Man, there ain't much I dislike about this album at all. I will say I don't like the first track featuring Cash. It just doesn't sound too good. But after that track it rolls so well. It's 24 minutes of solid fun!
The greatest tracks here are "Tonight I'll Be Staying Here With You", "Nashville Skyline Rag" (what a smokin' instrumental to really kick this album off!), "Lay Lady Lay" (sexy as hell) and of course the very tragic-sounding "I Threw It All Away".
It is hard for me to say how this album compares to other Dylan favorites because it is so different in mood and style and theme and even in the way his vocals are delivered...
On its own terms this album is an essential release in Dylan's discography. I really love it. And it is a great way to end off the 60s! I look at these first 16 albums I've listened to for this chart and it blows my mind how much music he made from 62-69 and it astounds me how consistently great it was. He was just on fire for so long!"
Okay, now present-day Ryan again: Has my love for this album remained? Yes! As a matter of fact its increased greatly! I now LOVE that first Cash track now. Still not my fave track here, but its soooo warm and sweet. Also, Cash + Dylan = automatic good.
Now, compared to that Vince Martin album, its amazing how starkly different this is. Dylan had a clear plan, a short sweet statement delivered in perfectly constructed 2 or 3 minute songs. Martin took the same great band and just said "Let's see where this takes us.".
And as I listen yet again to this classic, I am indeed feeling joyeous, and optimistic again! Dylan is the closest thing to a sonic best friend I have ever had. I mean, that sounds lame, so let me dig the whole deeper with an explanation: Ever since I was a lad o' 12 I have always looked to Dylan's music and words and interviews and story as inspiration, or as a sort of reference point to my life. He has been a constant "friend" and presence. And I truly get emotional thinking about what he has meant for me in my life. So there, I reached the required 6 feet into the ground, kill me now. lol.
I had this album at 12, then moved up to 8 then 9 then 10 on this list...then as I wrote this and listened again, i came to and was like "WHAT?! Are you crayzy!? Get Dylan back on his rightful pedestal, fool!" So up to a (perhaps still too low position ) of #7 it goes!
Oh, and I would like to thank Gram Parson, Chris Hillman, Gene Clark, Doug Dillard, The Byrds in general, and Dylan of course, for showing the rock kids that Country was cool back in 1968 and 1969. That 4-peat statement of "Sweetheart of the Rodeo", "The Fantastic Expedition of Dillard & Clark", "Gilded Palace of Sin", and "Nashville Skyline" has been an inspiration for a huge percentage of my favorite music ever. Thanks, you fine geniuses all for doing what was right! (I suppose the Grateful dead, somewhat the Band, and many others deserve credit as well, so thanks Danko, Garcia, Robertson, and all you fine people too.)
Rating: 9.5/10
Oh and damnit! I forgot to mention this... The cover of Nashville Skyline is a miracle. Its awesome in general, Dylan looks so happy and handsome and all... but look at that nearly perfect triangle! How cool is that?!? Okay, bye. "[+]Reply
"I love a band that can be both wistfully beautiful and crushingly powerful within the same album. The amount of different sounds they tackle on this album is staggering. The playing is fantastic especially the drums. Clearly Like Herod and Mogwai Fear Satan are the big guns here if you’re thinkin...""I love a band that can be both wistfully beautiful and crushingly powerful within the same album. The amount of different sounds they tackle on this album is staggering. The playing is fantastic especially the drums. Clearly Like Herod and Mogwai Fear Satan are the big guns here if you’re thinking purely crescedo- core Post Rock with their head banging payoffs. Like Herod in particular reminds me at times of Sister-era Sonic Youth, Godflesh, and a more Kim Thayil focused Soundgarden. But the other tracks are killer too. Katrien is like Velvet Underground’s the Gift set to ferocious post rock and the drumming is superlative.
Then there’s Radar Maker’s haunting, emotive piano and Summer’s Slint & Filosofem-style Burzum mashup. Tracy is simply drop dead gorgeous, and With Portfolio stuns with a white noise loop that seems to shoot from speaker to speaker. Then R U Still In It finally answers the question of what would happen if either Kurt Wagner (Lambchop) or Stuart Staples (Tindersticks) had decided to front a post-rock band. A Cheery Wave sounds like Faith-era The Cure if Robert Smith had been, um.. cheery. Finally, Mogwai Fear Satan recalls MBV era Loveless and probably most likely influenced Justin Broadrick’s Jesu. That’s a lot of ground to cover in just one hour. Highly Recommended! ****"[+]Reply