Listed below are the best albums of the 1980s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 4 hours ago).
"The only Smiths album I find uneven. The U.S. version includes "How Soon Is Now", the quality of which dwarfs everything else and makes some songs sound particuarly mediocre. "That Joke Isn't Funny Anymore" is the only other highlight for me. "Barbarism Begins At Home" is quality but takes too lo...""The only Smiths album I find uneven. The U.S. version includes "How Soon Is Now", the quality of which dwarfs everything else and makes some songs sound particuarly mediocre. "That Joke Isn't Funny Anymore" is the only other highlight for me. "Barbarism Begins At Home" is quality but takes too long making its exit, while the title track features some beautiful playing but is spoiled by some rare pontification by Morrissey. "[+]Reply
"God, "Pull Out The Pin" has to be one of the best war songs I've ever listened to. The desperate "I LOVE LIFE" battle-cry to the backdrop of helicopter sounds sends chills down my spine."Reply
"This is a huge album in the genre and it is easy to see why when you listen to it as there is so much to love on here. This is probably the groups most consistent work with every song having some quality on it. The peak of the album is the sensational title track and also the closer Hallowed Be T...""This is a huge album in the genre and it is easy to see why when you listen to it as there is so much to love on here. This is probably the groups most consistent work with every song having some quality on it. The peak of the album is the sensational title track and also the closer Hallowed Be Thy Name which finishes the record in style. The album just feels so cohesive with most songs going into the same sort of themes and all matching in style but being very different in terms of composition which eliminates the repetitive feel you can get on similar releases in this genre. The performances are outstanding with the drums and guitar being some of the best I have heard from the group. Even the weakest song on the album, which is Gangland, has great moments and a brilliant guitar section on there. Overall, this is a must listen album in the genre and is Iron Maiden's strongest musical display. "[+]Reply
"I can't disagree more with the review that says this seems dated based on the fact that it sounds hollow and shallow. That was the ENTIRE point. The album has a hollow, dead flat sound throughout. That was the goal. It's symbolic of the emptiness of everything. The drums provide a pattern but no ...""I can't disagree more with the review that says this seems dated based on the fact that it sounds hollow and shallow. That was the ENTIRE point. The album has a hollow, dead flat sound throughout. That was the goal. It's symbolic of the emptiness of everything. The drums provide a pattern but no beat for you to dance to or to give life to the album. That is by design. That's the genius of it... it sound alike what it says. Also find it strange that people are overlooking A Strange Day, which is the best song."[+]Reply
"Bruce Springsteen's record company probably didn't no whether to laugh or cry when he handed them his new album. Nebraska, wasn't exactly commercial material, it was an 11 track album, full of acoustic demo's, that Springsteen had failed to turn into an E street band record. Possibly, Springsteen...""Bruce Springsteen's record company probably didn't no whether to laugh or cry when he handed them his new album. Nebraska, wasn't exactly commercial material, it was an 11 track album, full of acoustic demo's, that Springsteen had failed to turn into an E street band record. Possibly, Springsteen promised Columbia, a more accessible album the next time round. Nebraska is a bleak, monochrome, postcard of an America full of serial killers, down on their luck gamblers, wayward brothers of small town cops, and, every day blue collar guys. It certainly isn't a barrel of laughs, and unlike later acoustic releases, the ghost of Tom Joad, and, devils' n' dust, it's a lot less slick, it's rawness is almost unsettling. The title track was inspired by a real life event, and also by Terence Malick's brilliant movie version, badlands. Atlantic city, is probably the best song on the album, with, Johnny 99, highway patrolman, and, reason to believe, also standouts. It certainly would be interesting to hear the attempted E street band versions, maybe that will be Springsteen's next box set release. Nebraska, is a challenging listen, and I would have thought it would only be enjoyed by boss fans, but i know people who aren't Springsteen fans, but like this album. It's definitely one of his most important records, and has been hugely influential on the lo-fi/alt.country scene. If Springsteen had given his assurances about his next release being more commercial, he certainly didn't let them down. Next for Bruce was, born in the USA, and superstardom. "[+]Reply
"Strangwayss is a real mix. While it's sound is complicated, experimental and lacking a bit of structure, it is also exceptional in terms of its quality. This is by far and away the best produced Smiths album, a far cry from the rougher sound created at Strawberry Studios on their debut. But in mu...""Strangwayss is a real mix. While it's sound is complicated, experimental and lacking a bit of structure, it is also exceptional in terms of its quality. This is by far and away the best produced Smiths album, a far cry from the rougher sound created at Strawberry Studios on their debut.
But in much the same way that Meat is Murder was a transitional album, this is too. Lots of new instruments were employed here, including lots of piano, saxophones, stings and even sound effects. Marr was really on to something with the dirtier, overdrive guitar found on "I Started Something" and "Stop Me", while Morrissey adjusted his mopey tone that defines The Smiths for a more pessimistic and disgruntled feel. This is transitional without a doubt.
But while that is all well and good, there are signs of issues here; Joyce and Rourke get very little time in the limelight, and it seems that Morrissey was perhaps taking over the band. You can hear the imminent demise of this band in this record, despite how little the lyrics refer to this.
And it begs the question, what would have come after Strangeways? Considering the quality of the production and the new sounds being tried out here, I reckon it would have been their absolute best. But that will never occur now sadly.
Yet perhaps ending the band in almost unfinished state with a transitional album is a blessing in disguise. It only adds to the romanticised mythos of The Smiths, and it leaves a brilliant legacy. Even when they weren't absolutely decided on they were going for with an album, The Smiths were still fucking brilliant.
And let's not forget that some of their best moments can be found here. "Girlfriend In A Coma" is borderline timeless in its comedic, totally inappropriate tone that is so brilliantly matched with its Bubbly, jangly melody; "Stop Me" is the song I recommended that anyone wanting to get into The Smiths starts off with, as it has a good mix of classic Morrissey lyrics and an easy-going sound; "Paint a Vulgar Picture", however ironic, is a sure-footed statement of what the band stood for, not being the typical Top Of The Pops act that was controlled by their label. There's very little to say about Strangeways that is negative, even if it is rough in some patches.
As far as final albums go, this for me does the job. An end to the band that creates the strongest of opinions as to whether they're bloody awful or whether they're the best band of the last 50 years. The band that has one of the most instantly recognisable sounds, and some of the best lyrics ever written. A band that had influenced all aspects of modern Alt Rock and defined British music in the 1980s. That's a hard thing to bring to an end, and yet they did it without leaving on a bad note, instead finishing with the prospect of what have might been. "[+]Reply
"Mother is reminiscent of the song from another Police album, Be My Girl-Sally. It's also written by Summers, and is about a dude and his sex doll. It's a character song, lighthearted and fun, probably not serious (just like Mother). Mother fits on this album alongside Sting's quirky lyrics and th...""Mother is reminiscent of the song from another Police album, Be My Girl-Sally. It's also written by Summers, and is about a dude and his sex doll. It's a character song, lighthearted and fun, probably not serious (just like Mother). Mother fits on this album alongside Sting's quirky lyrics and the bouncy and fun motif the music has for the rest of the album. Synchronicity II has a great melody and is another cool story-ish song. It's a good album with consistent use of experimental ambient guitar work, and early world music influences.
P.S. Wrapped Around Your Finger is an incredible, delicate ballad. Probably my favorite from them. Like the other dude said, it's about a power struggle, but he always comes back to her, so maybe it's not such a healthy relationship, but anybody who can sing such a gorgeous melody as this one for somebody must genuinely be in love."[+]Reply