Top 100 Greatest Music Albums by DriftingOrpheus
Subject to change (often). These are my personal favorite records...not necessarily a reflection of an objective musical hierarchy. (Wow. These write-ups have grown like weeds, particularly as you descend through the list. Only the slightest bit proud. 😌)
- Chart updated: 04/09/2024 04:15
- (Created: 04/25/2020 20:18).
- Chart size: 100 albums.
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This chart is currently filtered to only show albums from Swans. (Remove this filter)
The centerpiece is the 34 minute odyssey, Bring the Sun/Toussaint L'Ouverture. A track detailing a Haitian slave revolt with all the ferocity one could imagine. It carries guitar hits that resemble facial punches that only cease once the skull has caved in. Incorporating horse whinnies and tribal chanting, the track dares one to ponder the music's inspiration, or even the headspace of the men crafting it. The most "straight-forward" rocker on the album is Oxygen, a song detailing an asthma attack with inertia that never ceases until the horn-soaked climax.
Rarely has an album embodied both a densely visceral and well-realized existence. The frightening aspect behind it all is that it seems to flow through the band so effortlessly, almost as vessels for transcendent music powered by an unseen force. While it's not a record for the conventional listener, you'd be hard-pressed to find an audiophile not displaced by To Be Kind's translucent beauty, or not horrified by its unfettered explicity.
"May planets crash, may god rain ash, to sear our skin, to fold us in
Kneeling close, seeking hands, our blood is warm, but what comes next?"
-Kirsten Supine
Standout Tracks:
1. Oxygen
2. She Loves Us!
3. Bring the Sun/Toussaint L’Ouverture
100.4 [First added to this chart: 04/26/2020]
While the previous record, 2014's To Be Kind conveyed a seething, scathing critique of human indecency, The Glowing Man is a far more reflective and anguished experience, almost communicating that the emotional toll of the journey that this era of the band went through was a soul-altering odyssey. Take second track Cloud of Unknowing for instance, a 25 minute, bone-rattling lead up to a midpoint climax that I have yet to see duplicated. After the storm passes, the track slinks back into the bowels of darkness from which it was conceived, hissing chants of "Monster eater" and "Jesus feeler". The second half of the record commences with the towering Frankie M, a 20 minute pulse-pounding journey dedicated to a battle lost to drug addiction. An abridged version was featured in Swans' live sets as early as 2014 but the final form of the song serves as a moment of tempestuous strength and intense catharsis on the album. When Will I Return? details a horrifying rape-attempt that befell Michael Gira's wife Jennifer. Possibly the album's most gentile track, Jennifer claims to "Still kill him in her sleep". The penultimate track here is the title track, The Glowing Man. The most extensive cut on the album, clocking in at nearly 30 minutes, is the most chameleonic, beginning as an avalanche of bruising guitar hits. The track then simmers before swelling again into a furiously paced proclamation of bodily manifestation. Vocalist Michael Gira cries, "Joseph is moving his tongue in my neck, Joseph is riding a vein in my head, Joseph is cutting my arm on his bed, Joseph is making my body fly". After having listened to it, you'd be liable to admit to an out-of-body experience.
The Glowing Man only consists of eight tracks, eight tracks spanning nearly two hours with enough vexation, desperation and despair to rival a lifetime of alcoholic's anonymous meetings. I've stated in earlier write-ups that the band incorporates their music with a staunch focus on the dichotomy of sound decibles. The Glowing Man seems to consummate this idea with the concept of emotional contrast. Moments of exhilaration lap on the shores of severe hysteria and dejection. Additionally, It shines through in practice as well as from the listeners point of view. At times the album ceases to be organized sound, but instead formulates as a raw force of nature. Put simply, it sounds like a human soul crying out for liberation.
"I beat him on his face
And I stab with all my strength
And I scream until he goes
I scream until he's gone
Then I crawl across the road"
-When Will I Return?
Standout Tracks:
1. The Glowing Man
2. Cloud of Unknowing
3. Frankie M
97.8 [First added to this chart: 04/26/2020]
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Top 100 Greatest Music Albums composition
Decade | Albums | % | |
---|---|---|---|
1930s | 0 | 0% | |
1940s | 0 | 0% | |
1950s | 3 | 3% | |
1960s | 16 | 16% | |
1970s | 12 | 12% | |
1980s | 7 | 7% | |
1990s | 20 | 20% | |
2000s | 20 | 20% | |
2010s | 20 | 20% | |
2020s | 2 | 2% |
Artist | Albums | % | |
---|---|---|---|
|
|||
フィッシュマンズ [Fishmans] | 10 | 10% | |
Radiohead | 7 | 7% | |
Swans | 5 | 5% | |
Bob Dylan | 5 | 5% | |
Vampire Weekend | 4 | 4% | |
Charles Mingus | 4 | 4% | |
The Beach Boys | 3 | 3% | |
Show all |
Country | Albums | % | |
---|---|---|---|
|
|||
56 | 56% | ||
22 | 22% | ||
10 | 10% | ||
4 | 4% | ||
3 | 3% | ||
2 | 2% | ||
1 | 1% | ||
Show all |
Top 100 Greatest Music Albums chart changes
Biggest climbers |
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Up 2 from 94th to 92nd Only God Was Above Us by Vampire Weekend |
Biggest fallers |
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Down 1 from 92nd to 93rd Strawberry Jam by Animal Collective |
Down 1 from 93rd to 94th Currents by Tame Impala |
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Top 100 Greatest Music Albums ratings
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Rating | Date updated | Member | Chart ratings | Avg. chart rating |
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06/23/2023 05:13 | Applerill | 976 | 75/100 | |
03/27/2023 17:55 | Johnnyo | 2,015 | 80/100 | |
03/27/2023 00:15 | Moondance | 455 | 84/100 | |
03/26/2023 12:00 | Tamthebam | 553 | 85/100 | |
09/17/2022 23:03 | Rm12398 | 99 | 89/100 |
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This chart is rated in the top 9% of all charts on BestEverAlbums.com. This chart has a Bayesian average rating of 88.2/100, a mean average of 88.9/100, and a trimmed mean (excluding outliers) of 88.9/100. The standard deviation for this chart is 11.6.
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Top 100 Greatest Music Albums comments
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Exceeding chart and a great read.
We are 2 generations apart, so no surprise that our musical tastes/album preferences are not going to align. Totally respect your selections and appreciate your commentary - this chart is a definite labour of love. BTW - our one common album ~ Dark Side Of The Moon. BTW2 - thank you for introducing me to Night Beds' Country Sleep album - a future inclusion in my 2013 year chart.
I guess youre a fan of radiohead.
Hard work on the descriptions good stuff.
@StreakyNuno: Your statement is demeaning to every individual who's ever experienced an inkling of an original thought...
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*shocked emoji* this is ridiculously great.
Like your taste
Saw your comments on Syro which intrigued me enough to wander over here and read a bit more. I’ve always rated charts that offer explanations for each choice. So far you have gone above and beyond, plus I tend to agree with your love for many of these albums (Smiths aside). Look forward to seeing the finished version!
Even with very many “stereotypical” choices, this is not that bad a list.
Although I have never heard their music, Acid Bath is a wonderful surprise, as is the Misfits. I heard of both bands in the middle 2000s from one writer on Amazon.com called “janitor-x”, whose musical taste I cannot relate to but whose virulent criticism of ‘Rolling Stone’ I have never doubted nor seen refuted.
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