Listed below are the best albums of 2006 as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 7 hours ago).
"The only album I've heard by the band thus far. Atlantic is fantastic, but the rest is just a tad too poppy for me. Still good, though. EDIT: I'm getting into this album alot more now; the songs are well constructed and the keyboards and electronics add a nice atmosphere to it. It's definitely in...""The only album I've heard by the band thus far. Atlantic is fantastic, but the rest is just a tad too poppy for me. Still good, though.
EDIT:
I'm getting into this album alot more now; the songs are well constructed and the keyboards and electronics add a nice atmosphere to it. It's definitely in my chart, but I still have one complaint: it's very, VERY loud. A shame, considering."[+]Reply
"In addition to "The Funeral", the last 3 tracks are also phenomenal with "Monsters" being one of my favorite songs EVER! With those 4 amazing tracks, the rest of the songs could've been a collection of fart noises and I still would have loved this album. Luckily for the listener the other tracks ...""In addition to "The Funeral", the last 3 tracks are also phenomenal with "Monsters" being one of my favorite songs EVER! With those 4 amazing tracks, the rest of the songs could've been a collection of fart noises and I still would have loved this album. Luckily for the listener the other tracks are quite good, making this a great album from beginning to end."[+]Reply
"Fantastic album, criminally underrated - how this isn't even in the top 1000 confounds me. This album perhaps sees the Lips at their most versatile, the album with the most dynamic range - rocking hard on one song to creating astounding beautiful music on the next and not a weak track here (well,...""Fantastic album, criminally underrated - how this isn't even in the top 1000 confounds me. This album perhaps sees the Lips at their most versatile, the album with the most dynamic range - rocking hard on one song to creating astounding beautiful music on the next and not a weak track here (well, maybe Haven't Got a Clue, but c'mon even that's great) and considering there's near-on an hour of brilliance here that's no mean feat. Best album of 2006, top 5 of the 2000s and The Flaming Lips' second best only to the outstanding Soft Bulletin."[+]Reply
"You can hear it on "If Looks Could Kill". This band not only evokes Belle and Sebastian but shows potential to surpass them. Yes, it's a lazy comparison but it's so obvious it's undeniable. "Lloyd, I'm Ready To Be Heartbroken" pays its own homage as a beautiful way to start off their brand of swe...""You can hear it on "If Looks Could Kill". This band not only evokes Belle and Sebastian but shows potential to surpass them. Yes, it's a lazy comparison but it's so obvious it's undeniable. "Lloyd, I'm Ready To Be Heartbroken" pays its own homage as a beautiful way to start off their brand of swelling strings and harmonies. Hear them fill your heart on "Come Back Margaret" and "Country Mile". Yes, it reminds me of Belle & Sebastian, but at the same time, they've stepped so far on their own with this album that such comparisons should stop, as easy as they are."[+]Reply
"My favorite of theirs, by a decent margin. The perfect balance between their super heavy sludgey stuff and the progy sound they evolved to later. Full of great riffs, and Brahn Dailor's drumming is as top notch as ever."Reply
"If "blacklisted" tried to seduce you, then neko's "fox confessor brings the flood" tries to speak to your mind. Of course, it's that sultry voice that i keep coming back for and by the time "hold on, hold on" kicks in, my mind's mush. It's the devil she loves, singing "I leave the party at three ...""If "blacklisted" tried to seduce you, then neko's "fox confessor brings the flood" tries to speak to your mind. Of course, it's that sultry voice that i keep coming back for and by the time "hold on, hold on" kicks in, my mind's mush. It's the devil she loves, singing "I leave the party at three a.m. / Alone, thank God / With a valium from the bride / It's the devil I love" with a place in her heart for strangers. (i'm coming, neko!) There are some beautiful, echoing self-provided harmonies (like on "a widow's toast") that give more credence to her producer's claim that she's one of only 2 he's worked with (neko & nelly furtado) that have never used any form of auto-tune. She has a majestic voice that can just as easily swoon you into bed as it can pile-drive a knee into your groin. The desperation is shallow, but palpable when she sings "I don't care if forever never comes" holding out for "that teenage feeling". "john saw that number" is a jaunty little number with an actual chorus-sounding bit about an angel sent from God to check on John the Baptist: "So he flew from the pit with the moon round his waist / Gathered wind in his fists so the stars round his wrists / Cryin' holy, holy to the lord ". Other highlights include "dirty knife" and the beautiful "maybe sparrow" ("Maybe sparrow / It’s too late / The moonlight glanced off metal wings / In a thunderstorm above the clouds / The engine hums a sparrow’s phrase "). "[+]Reply
"Top to bottom this is just one of most beautifully produced rap albums ever I've heard. And the raps are so damn sexy too. Man, I just think this is basically a perfect, filler-free, all banger filled masterpiece. There's absolutely no fat here. No bs skits, nothing but absolutely astounding beat...""Top to bottom this is just one of most beautifully produced rap albums ever I've heard. And the raps are so damn sexy too. Man, I just think this is basically a perfect, filler-free, all banger filled masterpiece. There's absolutely no fat here. No bs skits, nothing but absolutely astounding beats with great raps all the way through. Marvelous. "[+]Reply
"An album everyone should hear once. Not something i feel driven to return to often but definitely a worthwhile listen ... and by worthwhile I mean bone chillingly terrifying."Reply
"At this point, despite having been the most consistent Wu member in terms of his solo albums, I don't know how many would expect to reach the levels of Supreme Clientele again. As far as I'm concerned, he managed to surpass it (admiteddly you could easily argue in favor of any of those two, both ...""At this point, despite having been the most consistent Wu member in terms of his solo albums, I don't know how many would expect to reach the levels of Supreme Clientele again. As far as I'm concerned, he managed to surpass it (admiteddly you could easily argue in favor of any of those two, both are great). The determining factor for me is clearly the production. He's moved on, providing us with a great variety of styles, but still carries his "hardcore" background with him, always keeping things in control and combining all the different elements into a cohesive and consistent album. It all starts -after the tone-setting intro/skit - with Shakey Dog ("Fasten your seatbelts, I'ma take y'all on some real shit"), a bombastic way to begin the album, he is already firing on all cylinders. Speaking of bombastic, you can't help but think of The Champ ("Took a fat nigga out in like 40 seconds My gun get hard wit a 45 steel erection Eagle on, Kangol half-slanted, Coconut Ballys from Morocco Guerilla medallions like Flavor Flav clock, yo Niggas want me dead but they scared to step to me Rip they guts out like a hysterectomy When beef collide look on the flip by the penitentiary kite Or get you bumped off from the inside"). Of course one of the biggest merits of this album is that it contains 9 Milli Bros. ("Official Wu-Tang headbanger"), which is a track that it's impossible to be objective with, it's simply huge. You also have -among many others - the short and sweet Beauty Jackson ("The ashes was hangin off her stog' so she flicked it Damn, had to bundle up, I caught goosebumps Plus the windchill factor had dropped, here the bus come I never rush one, here take my number miss I live alone, her face fell when I dropped the chrome Damn, can I have your number?"), we get to see a more sensitive side in Whip You With A Strap ("Get beat, then I'd run and tell grandman "mama hit me for no reason" She whipped me hard when I finished eatin And felt that belt stingin after I wet that bed Hid my drawers and start cryin, when she felt that bed Caught another when I told her those the fake pro-keds In the corner weavin and screamin trying to block my head") or Momma("All she needed was somebody to rub her feet Give her a nice hug and rescue her from off these streets"), the "take it slow" super-groovy soul/R&B-based Back Like That or Big Girl, the hectic Be Easy or Three Bricks. Not much to be said about rapping or lyrics, he puts on display his typical extremely high level once more. Another album on the longer end of the spectrum -which seems to be the theme of this matchup-, but the truth is hadn't I read it's actually more than an hour long, I wouldn't even have noticed, this feels like 40-45 minutes at most, you blink and it's over, it leaves you begging for some more."[+]Reply