Listed below are the best albums of the 2010s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 6 hours ago).
"This album has 2015 off to a fine start, already looking miles ahead of 2014. Only on my first listen, but this is a very well put together record. There are certainly sparse Fleet Foxes vibes, as well as so many others, including Pink Floyd that I'm getting right now. John also utilizes the same...""This album has 2015 off to a fine start, already looking miles ahead of 2014. Only on my first listen, but this is a very well put together record. There are certainly sparse Fleet Foxes vibes, as well as so many others, including Pink Floyd that I'm getting right now. John also utilizes the same existential, mid-life lyrics of his former band. Magnificent instrumentation of many sorts. This year we got an AOTY placeholder pretty damn early, when did St. Vincent come out last year? And this album is more than a "placeholder", it's the real deal."[+]Reply
"In my book, one of the most underappreciated albums ever recorded. The minimalist, chromatic piano arrangements are a perfect match Apple's ferocious vocals. Lyrically, very personal and vivid. Songs like "Werewolf" and "Valentine" are subtle melodies with lyrics that gets under your skin, while ...""In my book, one of the most underappreciated albums ever recorded. The minimalist, chromatic piano arrangements are a perfect match Apple's ferocious vocals. Lyrically, very personal and vivid. Songs like "Werewolf" and "Valentine" are subtle melodies with lyrics that gets under your skin, while tracks such as "Jonathan", "Left Alone", and "Regret" perfectly capture Fiona's fluttering state of mind. "Every Single Night" is a perfect opener that draws you in with the verses, then slaps you across the face with the chorus. The peppy "Anything We Want" is the only happy song on the album, acting as a nice relief to the distress. The closer "Hot Knife" starts with a simple timpani rhythm, then builds layer upon layer of vocals that speak conflicting thought about whether Fiona is above the man she loves or if he's above her. The entire album almost feels like you're inside her head, hearing her tortured thoughts as she barely manages to hold onto her sanity during a break-up. It's a modern classic."[+]Reply
"This album right here. Heard it the first time today, thinking previously that Ys was her undisputed masterpiece. Ys sure feels sporadic and magical, but this album is focused, down to earth, human, and felt like much more of a statement. The quality of the album is so consistant, it baffles me h...""This album right here. Heard it the first time today, thinking previously that Ys was her undisputed masterpiece. Ys sure feels sporadic and magical, but this album is focused, down to earth, human, and felt like much more of a statement. The quality of the album is so consistant, it baffles me how someone could write that much content that's all so fantastic. An instant favourite of mine. Literally can't wait to give it another spin."[+]Reply
"I've read some reviews describing this album as lacking in warmth, or too distant from their roots as a 5-piece rock outfit, or too much of a Thom Yorke project. Yet, I truly find KoL to be an incredibly intimate album that rewards full immersion with headphones. It is also a real tribute to the ...""I've read some reviews describing this album as lacking in warmth, or too distant from their roots as a 5-piece rock outfit, or too much of a Thom Yorke project. Yet, I truly find KoL to be an incredibly intimate album that rewards full immersion with headphones. It is also a real tribute to the artistic flexibility of each member to be able to work so cohesively to enhance each track with their more subtle contributions. Much like with In Rainbows, The King of Limbs shines in their 'In the Basement' session. Watch the YouTube recording of this session to see just how brilliant these tracks really are. You'll come away with a whole new respect for what they have created. Once viewing this you realise that it is a mistake to think that much of the album as 'just' electronic. Instead it is driven by a cohesive, percussive tapestry. It is an album that showcases rhythm as its driving influence.
Sure, it suffers a little for not having the 'fullness' of sound that they are capable of but I just love their willingness to explore new territory. I find myself returning to this album time and again on my train commute as it works so well when closing out the world around.
ALBUM HIGHLIGHTS: For sheer transcendent beauty; Codex, which needs more recognition as a Radiohead classic.
For the audiophiles who love masterful layers of cacophonous instrumentation; Bloom - it will have your mind swirling.
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"I'm never sure about this album. Sufjan Stevens, previously a melodic, mostly acoustic christian folk song writer takes a five year hiatus and then comes out with this cacophony of an album. Bizzarre detours, mad orchestration and unpredictable electronics all barge at you at once as Sufjan Steve...""I'm never sure about this album. Sufjan Stevens, previously a melodic, mostly acoustic christian folk song writer takes a five year hiatus and then comes out with this cacophony of an album. Bizzarre detours, mad orchestration and unpredictable electronics all barge at you at once as Sufjan Stevens, for the first time, really screams his most personal and effective lyrics yet - even exclaiming multiple times in "I Want To be Well", 'I'm Not Fuckin' Around' - when that's exactly what he's doing on this album. What this album suffers from is filler. At least 20 minutes of the album is barely cohesive and not enjoyable - when the madness comes together magic is really created, but it doesn't always happens. It makes me smile though, when at the end Sufjan Sings solemny - almost returning to his previous style "Boy, we made such a mess together" - you sure did Sufjan, you made a complete mess of an album that no sane person would call music, and that's why it's so fantastic.
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"It really warms my heart to see how quickly this album has risen on the 2016 list. This is my first "new" Nick Cave album as I'm still not two years into him. I bought as soon as it came out last Friday, have listened to it at least a dozen times and I still have barely any words. When Nick Cave ...""It really warms my heart to see how quickly this album has risen on the 2016 list. This is my first "new" Nick Cave album as I'm still not two years into him. I bought as soon as it came out last Friday, have listened to it at least a dozen times and I still have barely any words. When Nick Cave lost his son I knew the next album would be the most heartbreaking yet. While it most certainly is that, it is also the most devastatingly beautiful album of the year. And while I think its somber tone and personal lyrics may not turn on a non-fan, people like me who think this is the greatest band of all time know that Saint Nick has churned out another masterpiece. Album of the year. "[+]Reply
"Catchy. Soulful. Heart-warming. Hand-banging. Brilliant. This is my favourite album of 2017 and it's not hard to see why. While previous Tyler releases seemed to operate purely on the basis of outrage and provocation, "Flower Boy" is the first time Tyler *truly* sounds like himself. The first Tyl...""Catchy. Soulful. Heart-warming. Hand-banging. Brilliant.
This is my favourite album of 2017 and it's not hard to see why. While previous Tyler releases seemed to operate purely on the basis of outrage and provocation, "Flower Boy" is the first time Tyler *truly* sounds like himself. The first Tyler Okonma record, if you will.
The themes of lonliness, isolation and heartsickness are not new to Tyler's lyrical arsenal. The only difference here is the execution and careful songwriting. Even when Tyler is at his most volatile and bombastic (see "Ain't Got Time" and "Who Dat Boy") he still sounds tempered and controlled, a far-cry from Cherry Bomb.
In my personal opinion, Flower Boy" outdoes DAMN. and Big Fish Theory on the basis of it's soul. The record is disconcertingly personal (Tyler often sings of his ongoing loneliness and battles with depression) without Tyler coming off as a prima donna or the record being a huge bummer. Despite the subject matter, "Flower Boy" is a surprisingly summery record.
This is the record Tyler needed to make and the one that will cement his name as one of the most important simger/songwriter/rappers of this decade. "[+]Reply
"I just don't get it. Keep on playing, but this is good boring stuff, really. old fashioned shite. listening to "thinking of a place" whilst writin' this. Bob Dylan on vocals with a quite decent band - but not much happening - swell production, but . so what am i missing out on here? Is it the lyr...""I just don't get it. Keep on playing, but this is good boring stuff, really. old fashioned shite. listening to "thinking of a place" whilst writin' this. Bob Dylan on vocals with a quite decent band - but not much happening - swell production, but . so what am i missing out on here? Is it the lyrics? I like it, but damn; there's so much out there that are so much better and challenging, so what is this doing on the very top of the ratings everywhere. Is it because it's so mainstream: Everybody kinda like it a little, and subsequently it ends up on the very top when we add everybodys votes together? Maybe I'll find out some day.
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"Great release, though quite overshadowed by Parker's more recent releases. Gets a little slow sometimes, but picks up with some absolute fantastic tracks. Really surprised It Is Not Meant to Be and Alter Ego are rated so low. Or runaway Houses, cities, clouds. The later tracks is a long, gorgeous...""Great release, though quite overshadowed by Parker's more recent releases. Gets a little slow sometimes, but picks up with some absolute fantastic tracks. Really surprised It Is Not Meant to Be and Alter Ego are rated so low. Or runaway Houses, cities, clouds. The later tracks is a long, gorgeous psychedelic number that could be listened to for days and flows like a river"[+]Reply