Listed below are the best albums of the 1990s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 1 hour ago).
"Sometimes tension in the studio can remarkably create classic albums , The Beatles 'White Album' and Fleetwood Mac's 'Rumours' are cases in point. You can also add Sued's 'Dog Man Star' to that list Rehearsals for 'Dog Man Star' were very tense and would split the band into two separate camps. Be...""Sometimes tension in the studio can remarkably create classic albums , The Beatles 'White Album' and Fleetwood Mac's 'Rumours' are cases in point. You can also add Sued's 'Dog Man Star' to that list
Rehearsals for 'Dog Man Star' were very tense and would split the band into two separate camps. Bernard Butler had his own agenda (an example of which was a 25 minute version of "Asphalt World" which included an 8 minute guitar solo) and frequently clashed with the rest of the band and producer Ed Buller eventually leaving the sessions with the album far from completion . That the album was not only completed but is so darn good is mind blowing
Personally I prefer the cock sure swagger of their debut but 'D.M.S' is close behind with its glam rock , Bowie influenced grandness . It's not quite a masterpiece due to the weaker tracks "Daddy's Speeding" and "Black or Blue" but it sits comfortably as one of the 1990's best albums
Incredible "[+]Reply
"I Can Hear the Heart Beating as One proved that Yo La Tengo could master any pop style, from bossanova swoon to pedal steel alt-country twang to a droning guitar swirl that verges on shoegaze. Funny that most of the arguments about this album center on whether or not it's shoegaze, since clearly ...""I Can Hear the Heart Beating as One proved that Yo La Tengo could master any pop style, from bossanova swoon to pedal steel alt-country twang to a droning guitar swirl that verges on shoegaze. Funny that most of the arguments about this album center on whether or not it's shoegaze, since clearly there's a bit of My Bloody Valentine's influence here, but there's also much more to this album than that. Here Yo La Tengo aspire to be the greatest indie rock, noise-collage, electronica collective ever, but it's also true that more than anything, they're just being themselves. And they were making albums that sounded a little like this dating way back to the mid-eighties."[+]Reply
"Overblown, vulgar, and violent. Of course. But this was so original and fresh when it came out. And years later, it stands head and shouldes over it's west coast imitators. It is THE gangsta rap album, and cannot be faulted because it is the best of it's genre by leaps and bounds."Reply
"Her best album in my opinion. It is also her heaviest and darkest, and she never fully returned to this sound again with only a few exceptions. Probably the most electric and interesting female artist in the past 25 years if you ask me, but I understand she isn't for everyone, and a few of these ...""Her best album in my opinion. It is also her heaviest and darkest, and she never fully returned to this sound again with only a few exceptions. Probably the most electric and interesting female artist in the past 25 years if you ask me, but I understand she isn't for everyone, and a few of these songs, while they are all amazing, do go on just a wee bit too long."[+]Reply
"Goo is almost always overshadowed by "Daydream Nation" That is great record too.I was in love with "Daydream Nation" when "Goo" finally clicked in me, I was just feeling strange it was so much noise, Yeah there was a lot of noise in "Daydream Nation", but this noise made me go to the bathroom and...""Goo is almost always overshadowed by "Daydream Nation" That is great record too.I was in love with "Daydream Nation" when "Goo" finally clicked in me, I was just feeling strange it was so much noise, Yeah there was a lot of noise in "Daydream Nation", but this noise made me go to the bathroom and clean my ears to be certain that I wasn't with a listening problem and this shit really sound like that feeling of clawed Board, Damm this hurts. some influences are really visible in this album like their noise sound, (probably from the velvet Underground) their punk and rock sound (Sometimes like 70s punk or 80s like dead Kennedys) But in this album they don't want to be influenced they want to be the influence. After 10 years in indie labels this was the first Sonic Youth's album to a big label, some may think that they were bought or that they were regretted to write and compose something, But I guess that they waited for this to prove what they were and show it to the world, a lot of person thought that they sold themselves, but I think that they're wrong, If they went to a different road that was "Daydream..." yes, but I feel like... their soul are in that songs. Beginning with "Dirty Boots" the song slowly gains force until the exploding chorus, "Goo" starts to develop in your mind while the rest of your body screams for inside (Maybe for help). After The chorus Of "Dirty Boots" the song forgets the most angry part, and turns something more intelligent and calm (not so calm, But comparing with the rest of the song) And we have some time for some solos, and for the real appreciation of the sound of the song. "Tunic" comes, The guitar intro, shows that is not something happy that is coming, and we begin our story. The song continue Kim's voice brings the sadness of a Real person who would care with the next one and now suffers in her lonely room, The Guitar part coordinated by Thurston, can make this sades of kim's voice so deep, that every little piece of lyrics Open your eyes, and proves that the worl is not that wonderful place that you thought that it would be. "Tunic" develops in a Classic death's story, but it not let the album sad, it lets the album more deep and real. "Kool Thing" is the highest peak of this album. Sonic Youth rarely was so amazing like this song, fast, real and using all their weapons. With guitar solos and drums exterminating any hope of calm. Basically This is not an amazing song, but in the album it is something that they really need more, It is like that abstinence for something to talk about (even that it is something stupid), or just something to make noise. The album continues in this moment. They get crazy for a minute "Scooter+Jinx" and destroy (or transform) every classic song, shaping them on a new pain for years and ears. "Mildred Pierce" is a proof, shaped by a classic beat and old progression, it destroys the ears of the listener in the first listen. Finishing with "Titanium Expose" I begins very quickly, seems more like a big band solo than a song, It is great because they have the freedom to create something on that space of time. but then they begin shred it slowly, with intelligence, and the song goes to another atmosphere in the end, It seems tired in the end, but it's not it is just giving to you the rest that you need after all that noise, and in the last part of "Titanium Expose" when they back again to that all speed, you know that yu will miss that noises in your head."[+]Reply
"How does this only have an 80?? the lowest rated track is an 84 the average track rating is a fucking 88, higher than every single beatles album, and higher than most albums on this website cmon guys"Reply
"Ayyyyy! I finally GOT it! This album has seemed so dumb for me to me for so long. Dry, repetitive, bland, you name a criticism that has been stated below and I have had that opinion. But after just coming back to it again and again periodically, it finaly clicked, as all good albums do. There is ...""Ayyyyy! I finally GOT it! This album has seemed so dumb for me to me for so long. Dry, repetitive, bland, you name a criticism that has been stated below and I have had that opinion. But after just coming back to it again and again periodically, it finaly clicked, as all good albums do. There is something really seductive in the layered guitars and strangely static songwriting. The songs don't really go anywhere at all, and it can be hard to understand why at first. But I eventually realized that this album is just the musical distillation of small town life. The cover, the backstory, etc all point toward it, but even structure wise, it feels meandering and aimless, waiting for something to happen. But nothing ever does, and things are always the same, and yet you can't help but love your little nondescript cornfield town.
I don't think it's a coincidence that Talk Talk's later works and this album have both made their genius apparent to me around the same time. Though they are different in many ways, they both have a kind of featurelessness to them, as described a but above. They are unstructured and meandering, and if you are not listening attentively, it feels like the same thing over and over. But just as there is beauty in the use of silence by Talk Talk, there is beauty in the use of repetition by American Football.
80/100"[+]Reply
"So many amazing songs and not a few irritating experiments. You can't help but pick through, revisit your favorites and overlook all the terrible moments. Sorta like love?"Reply
"This shit was incredibly edgy when it first came out. There was an intensity and attitude that, while dwelling in a seedy undercurrent, was lifted somewhat euphorically by a breakbeat, in-your-face, bouncyness that drew shadowy characters to the dance floor. In fact it connected with the 'jilted ...""This shit was incredibly edgy when it first came out. There was an intensity and attitude that, while dwelling in a seedy undercurrent, was lifted somewhat euphorically by a breakbeat, in-your-face, bouncyness that drew shadowy characters to the dance floor. In fact it connected with the 'jilted generation' better than their album with that same title.
Breathe is a classic track. The intro still gives me chills when I hear it as I remember the energy that the song is about to trigger. Some other songs on the album fail to measure up to such high standards as this incredible song but in their own right they still form the basis of a very solid album.
When you consider that a melding of electronic and punk rock had never previously been so well produced as this album you would have to consider it as a groundbreaking, progressive classic in many ways."[+]Reply