"A hypnotic, 80's reboot dreamscape that feels completely innovative for 2021. Like lost in a maze that I don't care about getting out of. Best album for me in 2021."Reply
"The production on this thing is great, no question. The performances are excellent, as well. But as I listened to this over and over, I realized that the songwriting here is just not for me. These songs kind of bleed together, with none being bad, but there aren't any real highlights, either."Reply
"There is real joy in listening to an album that the artists clearly loved making. Bruno Mars' natural smoothness and Anderson Paak's instrumental creativity compliment each other perfectly. Vocally, they bounce off each other above funk cuts that feel like they've been there forever. "Smokin' Out...""There is real joy in listening to an album that the artists clearly loved making. Bruno Mars' natural smoothness and Anderson Paak's instrumental creativity compliment each other perfectly. Vocally, they bounce off each other above funk cuts that feel like they've been there forever. "Smokin' Out The Window" is particularly hilarious with lyrics involving gold-digging and the pettiness resulting from it. More critically, the songwriting does feel more generic with fairly standard flex and love themes. Despite this, it's still funky as all hell. "[+]Reply
"I'll preface this by saying I am not a big hard rock fan. I like some punk, but I mainly dabble in alt-rock, indie rock, and some dream pop. However, I think this album does a great job at blurring the hard rock and dream pop lines. The songs aren't playing just to knock you down nor are they the...""I'll preface this by saying I am not a big hard rock fan. I like some punk, but I mainly dabble in alt-rock, indie rock, and some dream pop.
However, I think this album does a great job at blurring the hard rock and dream pop lines. The songs aren't playing just to knock you down nor are they there to just fill you with angst. The album has textures, layers, and some pretty complicated syncopation within its composition. There are dynamic changes and more musicality to this album than any other hard rock/screamo songs I've heard.
The one downside, however, is one that I have somewhat frequently: this doesn't have to be a 15 song album! Most songs are on the shorter side (clocking in between 2:20 and 3:00) so it doesn't plod along too much, but I feel like there are some songs that are more filler. With that said, I really enjoyed the the songwriting, instrumentation, and overall composition of the album.
Blackout, Mystery, Underwater Boi, Fly Again, New Heart Design, and Lonely Dezires are standouts for me.
84/100"[+]Reply
""Happier Than Ever" is a maturation of Billie Eilish's sound. The writing is much more emotionally vulnerable and nuanced. Much of the record is focused on post break up feelings and reflection, lending a humanity previously not seen in her work. The instrumentals spread into more acoustic and ro..."""Happier Than Ever" is a maturation of Billie Eilish's sound. The writing is much more emotionally vulnerable and nuanced. Much of the record is focused on post break up feelings and reflection, lending a humanity previously not seen in her work. The instrumentals spread into more acoustic and rock influenced sounds. The Achilles heel is that these growths prevent cohesiveness. Musically and lyrically songs of completely aesthetics will be seated next to each other. "Oxytocin" is a driving sensual electronic banger that does not belong between the quiet reflective "My Future" and the almost angelic "Goldwing". This split can also be seen in song quality. "Happier Than Ever" has a fantastic build than explodes with the entrance of it's guitar. Opposite, "Not My Responsibility" feels like an inferior version of Talking Heads Seen And Not Seen". "Happier Than Ever" shows growth but not full success."[+]Reply
"sorry in advance for the following: (Basically, I liked it. Everyone or nearly everyone reading this knows who this band is and what Post rock is and that this band and that genre are linked inextricably. It's a solid album. Leave now unless you want to read my unending comment which starts in 3....""sorry in advance for the following:
(Basically, I liked it. Everyone or nearly everyone reading this knows who this band is and what Post rock is and that this band and that genre are linked inextricably. It's a solid album. Leave now unless you want to read my unending comment which starts in 3... 2... )
1... ---------I don't know how I feel about this album. Not exactly. Same goes for this iconic band. And, as this band's work encompasses all existence and transcends life and is up in the ether hobnobbing with Infinity itself per their most ardent fans, I suppose this means I don't know what to think of life, the universe, or anything. Which, come to think of it, is true.
But, to elaborate, I don't know where my thoughts fall yet after 2 listens to this album about urine of god ending states. As with all GY!BE albums, this is a detailed and many-layered beast, grasping for questions and answers rarely asked or sought in rock music. All this without saying a thing. On first listen I was transfixed and transported and when the album ended I said "well, shit" and wondered if this was going to be my end-of-year number 1 album. On second listen my subjective response was a bit muted. Although, certain crescendos (they sure do love their crescendos and builds... don't worry this won't be yet another annoying nerdy asshat rant about "Crescendocore" and "oh, oh, this has been done, like, a million times, gosh!" or "wtf can't anyone hear that this is not gooood? it's nothing compared to Tortoise." blah blah blah. Don't worry, I can't stand those people as much as you can't stand them. ) and moments are just as mindboggling on second and now third listen as they were in my first. The things that maybe I was less engaged with were the shorter and less "buildy" songs, or, rather, parts or pieces. Although without exception each one of these tracks/parts, short and long, are rich and well-conceived, some of the hors d'oevre tracks left me less than blown away. I suspect this is an opinion that will change or at least develop with repeat listens and perhaps I'll start mentally stitching this newest Godspeed conception together. For now though some of the sounds at the beginning of the 2 main 20 minute pieces didn't engage me a whole lot.
But see, as I write this I am listening a third time, and you know what? I'm already starting to feel my opinions shift mercurially as I type. Damn you, Godspeed! Now I'm wondering again if this is AOTY contender. And this vacillation is making for a REALLY shitty comment. (Future self, 1 hour after typing last sentence, I end up yet again in between Really solid and AOTY, as of now, after 4 listens, its like top 10 album of year, okay lets continue and see what other crazy shit this wild ginger says...)
Let me talk through a couple of these tracks here and see if that helps clarify my opinions... Okay, starting with the end, "OUR SIDE HAS TO WIN (for D.H.)" is a pitch perfect, tear-inducing, muddy, noisy, serene and haunting ambient piece and a perfect closer to the album. The last minute of this thing made me feel like Frodo rolling out of Rivendell with the boys.
Now going back toward the beginning, I thought the opening bit with the word Military in the name, wasn't particularly special even 4 listens in, but finally 20% into "Job's Lament" shit starts getting tense and maybe i'm just too simple for this post rock stuff, but I get most hyped about those HEAVY bass notes and that staticy guitar as it builds up to the muscular close of that track. This leads into the first "Holy Shit...is you angels?" moment of the album for me, when the guitar comes searing in with the faint sound of voices melded in, that is a nice moment. Brilliant, really. Only lasts for a couple minutes, then some cool down from that high and then some gunshot noises annnnndddd close first big suite. The in-between track that follows and is jammed betwixt the 2 MEGA post rock suites "Fire At Static Valley" is quite nice. Its not the same level as the closer, but quite gorgeous.
Okay, and then as for the second big suite, I probably won't go into detail what I thought of each piece within like I did with the first, but I can say that almost everything about "GOVERNMENT CAME pretentious coordinates or something" is dope. Almost all 11 minutes of it was candy to me ears. The first 5 minutes are build up and pretty good build up as it has that dark power that is what I loved about F#A# Infinity, but its all foreplay to the moment when the soaring guitars, well, when the guitars soar. lol. Then they do that post rock thing where it gets intense and then more intense and then more and at some point you notice you're not breathing, you're eyes are squinting unflatteringly, and you're mumbled "Stop, No, I can't take it!" turns into euphoric shouts of "No, don't stop! don't STOOOOPPPP!!!!". Its orgasmic is what I'm saying. And just like orgasms, despite being played out and ever so familiar, they're quite good. From there there is more slow noodling as if they're getting themselves ready for another go-round, followed by another (less impactful, yet still gorgeous) epic crescendo. And then BOOM! We are back to where we started, which was the end, and that final god-tier ambient closing track.
The name is silly, but Idk maybe I am just basic. Seems pretty weird. The cover is, on first glance, underwhelming - BUT, I like it now that i look at it. has a certain circular, symbolic meaning. Said symbolism and cover maybe influenced my hackneyed attempt at such a round-about structure to this comment and track break down.
And as far as how this fits/ranks in their discog, well I'm far from a mega fan of this band. I like/love their 1997 album because it has the word blues in one of its songs and that is an instant winner in my books. I love their 2000 album, but of course I'm contractually obligated to say that on this site and on this internet. But in all seriousness I haven't listened to Lift Yr Skinny Fists in years, but there was a time when I was in love and thought I'd discovered the holy grail of music when i heard that. Never heard Yanqui I don't think, and I really like their legendary 1999 EP although I've only heard it once and can't say what I liked about it. When I first joined this site in 2012, I was caught up along with almost every other BEA member in the recent release of Allelujah... Don't Bend Ascend. As a matter of fact, I believe that was the VERY FIRST album comment I ever made on this site. I loved it and still do tbh. I adore how fucking brutally heavy that album is. Haven't heard their 2015 or 2017 offerings. All that is to say I don't really feel I have any strong context or freshness to any relative quality assessments. I will say that I really really liked this album. It hit me at the right time and I am very glad its in my life. I am still not someone who will get excited about Post Rock when placed as a genre on an album, as a matter of fact I kinda avoid such albums. Not sure why. Maybe I like music that is more immediate and less drawn-out than what that genre tag evokes.
Anyway, this will end up being the most unstructured (aka least structured) of all my 2021 chart/album comments and my longest and my most deserving of ridicule and the one with the most bad English (which is saying something). I will close by saying, "cool album". The highs are heaven, the lows sound like somewhat by-the-numbers GY!BE things analogous to a nice serene Nebraska cornfield.
Oh and one final added comment, regarding the general darkness or vibe of this album, I felt like it was the least dour, apocalyptic of the albums I've heard by them. All their albums have some moments of soaring beauty, but I felt this had several that felt almost religious and not in a end-of-days type of way either. Anyway, I have seen comments saying this has a a deeply dark atmosphere, and maybe that is just a personal reaction thing, but I personally found it refreshing how GY!BE sounded a little less morbid this time around.
cool album"[+]Reply
"A very unique and interesting idea for an album, that you have to praise for its experimentation. The music itself is also of a very high quality and it is back to being delicate and beautiful like we used to know it to be. There are some real highlights on this record as well such as Back To Oz ...""A very unique and interesting idea for an album, that you have to praise for its experimentation. The music itself is also of a very high quality and it is back to being delicate and beautiful like we used to know it to be. There are some real highlights on this record as well such as Back To Oz and Olympus, which are personal favourites. It is also nearly the perfect length with the listener never really getting bored or distracted from the album due to there being a lot to maintain their interest. However, some of the cuts are not great and there is a bit of a problem with repetition as sonically most songs sound quite similar. Overall, a good album with a lot of content to explore but in terms of quality it is definitely behind most of their other work which is a compliment to the calibre of their discography. "[+]Reply