Listed below are the best albums of 2005 as calculated from their overall rankings in over 58,000 greatest album charts. (Chart last updated: 5 hours ago).
"An incredibly creative effort leading to their most successful album to date,"Fear of a Blank Planet";moreover,Wilson has an astonishing haunting voice and he is likewise a great lyricist."Deadwing" is full of magnificent songs.Don't underestimate it!"Reply
"This album contains a lot of my favorite DCFC songs: Marching Bands Of Manhattan Soul Meets Body Summer Skin Different Names For The Same Thing What Sarah Said Brothers On A Hotel Bed All those hits force me to rate this album high. However, I don't think it is their more cohesive album. Narrow S...""This album contains a lot of my favorite DCFC songs:
Marching Bands Of Manhattan
Soul Meets Body
Summer Skin
Different Names For The Same Thing
What Sarah Said
Brothers On A Hotel Bed
All those hits force me to rate this album high. However, I don't think it is their more cohesive album. Narrow Stairs and The Photo Album sound more like great albums to me, even though they might have a few less hit songs. Plans is great because many songs in it are great, as those other two are just great albums because of how you can listen to them as a whole and feel a sense of continuity and greatness.
That being said, I love Plans and "What Sarah Said" has to be one of the most touching song I ever heard, I can hardly listen to this song without crying even after all those listens. "[+]Reply
"With the exception of some very unique very strange very alienated sounding guitar solo's from Omar Rodriquez, this is progressive rock at it's finest. I have no idea what Rodriguez is trying to communicate with his guitar fills on Cygnus...Vismund Cygnus, they get quite a bit better on the Widow...""With the exception of some very unique very strange very alienated sounding guitar solo's from Omar Rodriquez, this is progressive rock at it's finest. I have no idea what Rodriguez is trying to communicate with his guitar fills on Cygnus...Vismund Cygnus, they get quite a bit better on the Widow, and thankfully Frusciante and a Salsa pianist lay down something catchy on L'Via, where Salsa meets the nightmare music and lyrics of the Mars Volta. As a composer, arranger, and a producer Rodriguez is a brilliant young man and he turns the band's 2nd album into something that you want to visit again and again to discover it's many layers. Cedric Bixler-Zavala's voice has never sounded more emotional and less annoying and his lyrics are simply chilling and mystifying. Frances the Mute excels in many areas, making it an all-around best ever album. "[+]Reply
"I don't know if two albums were really necessary for this release, but it's still a good debut for James Murphy's popular project. I love his faux Beatles tune on track five, Daft Punk... is a classic hit, and Tribulations is an outstanding dance smash. It's just too much for me by the end. It's ...""I don't know if two albums were really necessary for this release, but it's still a good debut for James Murphy's popular project. I love his faux Beatles tune on track five, Daft Punk... is a classic hit, and Tribulations is an outstanding dance smash. It's just too much for me by the end. It's like in the kids book/movie Matilda where that fat kid has to eat that giant cake."[+]Reply
"My Morning Jacket is about as close as one gets to a true twenty-first century arena rock band that I actually like. Of course, that's because these Louisville, Kentucky, natives are so much more than mere Skynyrd or Van Halen knockoffs. Even though their live performances include the light shows...""My Morning Jacket is about as close as one gets to a true twenty-first century arena rock band that I actually like. Of course, that's because these Louisville, Kentucky, natives are so much more than mere Skynyrd or Van Halen knockoffs. Even though their live performances include the light shows, smoke machines, and flying hair reminiscent of a seventies Live-at-Budokan cliché, Jim James and company actually seem to have something to say. "Off the Record," for instance, is a clever play on words that refers both to the duplicitous nature of politics and to the choices artists must make when deciding what material to make public. Z is just a great throwback rock and roll album."[+]Reply
"Another awesome SOAD work here. I didn't like it as well as Tox or Hypnotize, but still really enjoyed it. Such a unique, heavey, and all around awesome sound. Favorite track was probably Old School Hollywood. Just had some charm about it."Reply
"Can't enjoy this as much as her previous works. And I seldom heard high notes from her now on this record, perhaps due to her aging. But her vocal line still sounds sweet, only less sexy though. It's still a very edgy work when compared to other messes on the current market. Fav track: Nocturn."Reply
"Picaresque is my favorite album from the Decemberists. It starts off with a muted tribal horn i often blast before the drums beat in with Colin narrating the premise of "the infanta": "Here she comes in her palanquin / on the back of an elephant / on a bed made of linen and sequins and silk / all...""Picaresque is my favorite album from the Decemberists. It starts off with a muted tribal horn i often blast before the drums beat in with Colin narrating the premise of "the infanta": "Here she comes in her palanquin / on the back of an elephant / on a bed made of linen and sequins and silk / all astride on her father's line / with the king and his concubines / and her nurse with her pitchers of liquors and milk / and we'll all come praise the infanta". The charging literature of the song is finely offset by the quieter, pensive, recharging bridge. The lyrics on "infanta" are the best decemberists lyrics yet (and i love intelligent lyrics), replete with high-point scrabble words like "palanquin", "pachyderm" and "folderol", tied with another picaresque tune, the epic "mariner's revenge song", probably my favorite decemberists songs of all-time. "mariner's" starts in flashback mode "in this belly of a whale" recalling a "rake and a rastabout" who moved in on the narrator's mother when he was 14 "Leaving my mother A poor consumptive wretch" with a killer-yet-frail chorus delivered by Jenny wisping "Find him, bind him / Tie him to a pole and break / His fingers to splinters / Drag him to a hole until he / Wakes up naked / Clawing at the ceiling / Of his grave". The narrator later was hired in a priory "But never once in the employ / Of these holy men / Did I ever once turn my mind / From the thought of revenge" hearing about a captain known for "wanton cruelty", the man who left his mother destitute in death. There's even a pensive instrumental passage as the narrator contemplates commiting a "wicked deed" (to kill that captain) which nails the sound of the old sea (as only the Decemberists can!). Then "And then that fateful night / We had you in our sight / After twenty months at sea / Your starboard flank abeam / I was getting my muskets clean / When came this rumbling from beneath" as the whale rose from beneath which chews up all but our two antagonists. Marvelous storytelling and delivery including an energized ending. All tunes have the feel of tales of centuries ago, classic stories charles dickens or herman melville would be proud of, full of motorcars and muskets ablaze. "we both go down together" is a tale of a couple who commit suicide knowing their families will never allow them together ("Meet me on my vast veranda / My sweet untouched Miranda / and while the seagulls are crying / we fall but our souls are flying"). That Colin can make such wordsmithy, sea shanties so catchy and endearing is a testament to his intelligence and ability to tap the human condition. Like on "eli the barrow boy", the soliloquied epitaph of a loved one, singing "Would I could afford to buy my love a fine robe / Made of gold and silk Arabian thread / But she is dead and gone and lying in a pine grove / And I must push my barrow all the day". Or the humorously playful "the sporting life": "I fell on the playing field / the work of an errant heel / the din of the crowd and the loud commotion / went deafening silence and stopped emotion" . The instrumentation on this album kicks arse too, from the fiddle on "together" to the organ and horns on "16 military wives" to the accordion on "mariner's revenge song". The slower numbers work well too, from the crime scene buildup of "the bagman's gambit" ("On the lam from the law / on the steps of the capitol / you shot a plainclothes cop on the ten o'clock") and literally lost love "from my own true love (lost at sea)", to what i feel is Colin's first love song "of angels and angles". Beautiful acoustic guitar prefaces simply-felt lines like "there are angels in your angles, there's a low moon caught in your tangles", the perfectly understated closer to offset the literary bombast of "infanta". The sentiment is as saddening-sweet on "the engine driver" with a chorus pleading "and if you don't love me, let me go", and even on the lyrically-simple-life-of-a-male-prostitute of "on a bus mall" illustrating "here in our hovel we fuse like a family, / But I will not mourn for you. / So take off your makeup / And pocket your pills away. / We're kings among runaways / On the bus mall." . There's even a jab at politics in "16 military wives": "Cheer them on to their rivals / Cause America can, and America can't say no / And America does, if America says it's so". "[+]Reply
"I'm going to tell you that this is The White Stripes' best album so hang with me. I get that you all are attached to White Blood Cells. I get the appeal of that album, it's a jolt of rock. This album is not White Blood Cells. It requires an acquired taste, an open mind. The White Stripes fan base...""I'm going to tell you that this is The White Stripes' best album so hang with me. I get that you all are attached to White Blood Cells. I get the appeal of that album, it's a jolt of rock. This album is not White Blood Cells. It requires an acquired taste, an open mind. The White Stripes fan base expect rock, which is why this album is often cited as their worst.
From a songwriting standpoint, this is their best. I like to start the album off with "The Nurse" and not "Blue Orchid" because I feel like "Blue Orchid" was slapped in there at the last minute just so this album could have a single. "The Nurse" sets the correct tone for the album, it is also the best track. I understand why some people do not like "The Nurse", but keep in mind that "The Nurse" is a song about murder (at least from my interpretation), so it should be uncomfortable to listen to. It really gets me into the right frame of mind for the rest of the album. So for the sake of being a snob, I'm going to pretend like "Blue Orchid" doesn't exist.
Get Behind Me Satan explores many themes, but the one that stands out the most for me is how to overcome seclusion. Every track represents a different scenario that deals with the issue. One of the more stunning tracks, "White Moon", is about a soldier who carries a photograph of Rita Hayworth to symbolize his "girl back home" that he never had. In this album, Hayworth represents the unobtainable dream, which grows obsessive in "Take, Take, Take", a song about seeing Hayworth in the flesh.
Another standout track, "Little Ghost" is about still being attached to the memory of a dead spouse.
"Every morning I awoke
And I see my little ghost
Wondering if it's really her that's lying there
I lean to touch her and I whisper
But not brave enough to kiss her
When I held her I was really holding air"
What makes a song like this so great is its devastating lyrics being accompanied by one of the most joyful melodies The White Stripes ever created. The White Stripes use this trick throughout most of the album.
The final track "I'm Lonely" is a heartbreaking ending to the album. This song tells the listener that there is always love in family, even though the family is out of reach in a place far away. Which may be about Jack's own feelings about touring. In any case, it's still an amazing song.
Overall, my interpretation of this album might be different from your own. This is one of the many reasons why this album so unique. In the end, I feel satisfied, which is what really counts."[+]Reply
"Is it just me or are SK super underrated on BEA? Really surprised to see The Woods is not even top 20 (or even top 30) for 2005. Eaaasily top 5 for me."Reply