"The fact that Car Seat Headrest came from bandcamp and is one of the few raw rock bands to have an album ranked as number 1# in this decade tells a lot of the current estate of the genre and the future of It as well. The thing is, this type of Rock doesn't appeal that much anymore, most of the al...""The fact that Car Seat Headrest came from bandcamp and is one of the few raw rock bands to have an album ranked as number 1# in this decade tells a lot of the current estate of the genre and the future of It as well.
The thing is, this type of Rock doesn't appeal that much anymore, most of the alternative music listeners are more inclined to listen to a experimental Hip-Hop album or a art pop or art rock album like "Modern Vampires" or "A Moon Shaped Pool" at most a post-folk like "Carrie & Lowell".
Toledo's progressive punk rock tracks of 10 plus minutes should be considerated old-fashioned, and left ignored. The thing is, distorted guitars doesn't have anywhere more to go, everybody knows that, everything has already been done.
But, what makes Twin Fantasy so good, and what made It go all the way up to 1# (now It ain't anymore) it's his sincerity, his boldness, his in-your-face statements. Twin Fantasy was originaly released in 2011 in bandcamp, and It was the first major project of Will Toledo that at the time was basically the whole band. It recieved with time a cult-following but never reached a major public, not like It was with Nirvana or Radiohead, they stayed under the sheets.
It was only with their 2016 release "Teens of Denial" that they reached somewhat of a bigger public, even appearing in TV, but the midias are diferent now, the people are diferent now, and they never really reached anything bigger than that. And they never will.
CSH and Twin Fantasy Will forever stay as that statement, that little glimpse of anger to angered teens to enjoy. It's kind of what rock is If you think about it, at least is what It turned out to be."[+]Reply
"This album channels male rage otherwise commonly found in punk and directs it at dismantling patriarchy / opposing hate / and resisting apathy. Aggressive and enlightening and ready to mosh."Reply
"I've been listening to "7" on repeat since the last couple of days. It's a very consistent, fresh sounding album with great songwriting from start to finish. Victoria's amazing voice and the flow of the whole record makes it all incredibly beautiful. It's one of the best albums they have ever mad...""I've been listening to "7" on repeat since the last couple of days. It's a very consistent, fresh sounding album with great songwriting from start to finish. Victoria's amazing voice and the flow of the whole record makes it all incredibly beautiful. It's one of the best albums they have ever made, if not the best one."[+]Reply
"In any other year 'Wide Awake' could easily have been an AOTY contender but in a hot 2018 field it just misses out Produced by Danger Mouse (Brian Burton) this is their most diverse and best album yet and top to bottom retains The Courts sense of anger with slick production and tight arrangements...""In any other year 'Wide Awake' could easily have been an AOTY contender but in a hot 2018 field it just misses out
Produced by Danger Mouse (Brian Burton) this is their most diverse and best album yet and top to bottom retains The Courts sense of anger with slick production and tight arrangements
FYI the line "Fuck Tom Brady" that comes at the conclusion of "Total Football" is explained as nothing personal against Tom Brady per say, rather a commentary on the type of person Tom Brady represents
Wonderful stuff"[+]Reply
"Update: a man with a top hat and a cane has showed up in my room. He is offering me money, fame, and all the women in the world. All I have to give him in return is my soul. It's a shame this album already took it."Reply
"One of my favorite albums of 2018! I definitely feel that this went pretty underappreciated by critics, as it rarely appeared in any of the year end lists. Honestly, I would say that this record falls into my top ten for the year. This time, MGMT takes their sound in the direction of synth-pop, a...""One of my favorite albums of 2018! I definitely feel that this went pretty underappreciated by critics, as it rarely appeared in any of the year end lists. Honestly, I would say that this record falls into my top ten for the year.
This time, MGMT takes their sound in the direction of synth-pop, and they really knock it out of the park. They return to a poppier sound, while still retaining some of their experimental tendencies. The front of this album is absolutely packed with fantastic songs - it's not too often that you get an album with so many standout tracks back to back ("Me And Michael", "Little Dark Age", and "When You Die" being among my favorites). The only criticism that I can give is that this does turn out to be one of those albums that falters a bit from time to time in the second half. But thankfully it always manages to regain its footing, and still ends on a high note. By far, my favorite thing about his album is how well each song is put together. From song structure to melodies, everything feels so purposeful and fits so well. It really shows how masterful the duo has become in terms of songwriting. I've loved MGMT since Oracular Spectacular, and it feels good to see that they are still putting out fantastic music!"[+]Reply
"I'm going to keep this relatively short as greater minds than I have dissected this album within an inch of its life Firstly I came into TBH & C fully aware of what to expect having read several reviews prior , so nothing came as a major surprise and TBH it was 100% as I thought in my minds eye -...""I'm going to keep this relatively short as greater minds than I have dissected this album within an inch of its life
Firstly I came into TBH & C fully aware of what to expect having read several reviews prior , so nothing came as a major surprise and TBH it was 100% as I thought in my minds eye - that being a plodding and moody Alex Turner at the piano solo-esque album
Secondly I followed conventional wisdom and listened a minimum 4 full times , it may have been 5 but definitely 4
Thirdly , and here's the crux of where I stand with TBH & C ...musically its impressive stuff , lyrically 50/50 but over all its just not my cup of musical tea . Its way too one paced and lacking in melody or punch for my taste. Its an album that isn't as good as it thinks it is .Lets be honest here if this album was by Joe No-Body it wouldn't be given an iota of attention , but because its Alex Turner and (cough cough "The Arctic Monkeys") ...well you get my point
50 Stoned Rock Stars Sitting In Filth Out Of 100 "[+]Reply
"This is not typically my thing but oh my gosh it is now. One minute it's a country ballad and next thing you know you're lost in a sea of textural layers of steel guitar and it reminds me of "the war on drugs" instrumental sections. Most of the first half of this album is bliss. The songwriting i...""This is not typically my thing but oh my gosh it is now. One minute it's a country ballad and next thing you know you're lost in a sea of textural layers of steel guitar and it reminds me of "the war on drugs" instrumental sections. Most of the first half of this album is bliss.
The songwriting is pretty good, she can meddle around in the predictable for a while but then throw in a vocal lifts or a new chord change to make it satisfying and justify some of her shamelessly poppy melodies. She will occasionally lure you with some vocals and then blow your expectations by holding a note or series of slow notes and letting the instrumental take off (Space Cowboy, among others) The times she's most on point with her songwriting she's paying special attention to when and how she rest the vocals. It could be even to just let a guitar strum for a half measure. Listen to when she pauses or rests, it makes the context of what she's doing vocally work out. (Happy and Sad)
I'm not a huge fan of tracks 9-11, they may grow on me but at first listen they seem some combination of uninspired, monotonous or corny. There's at least something to like about each track however. The ending 2 ballads are sweet and end the album nicely.
If this were as consistent as it's peak moments, which are plentiful, it would be among the best of the decade. "[+]Reply
"(Warning: this comment is kinda long.) I'll be honest, this album took some time to grow on me, as I had some expectations about it before listening. But eventually, I came to appreciate it and thought that it was pretty solid. Around the end of 2018, I was a bit surprised to see this record very...""(Warning: this comment is kinda long.)
I'll be honest, this album took some time to grow on me, as I had some expectations about it before listening. But eventually, I came to appreciate it and thought that it was pretty solid. Around the end of 2018, I was a bit surprised to see this record very high up in most "best of 2018" lists, sometimes getting a perfect rating, and even earning the title "album of the year" from many music sites. So I thought that I might have missed something, and decided to revisit the record.
While I still think that it's good, I still don't seem to enjoy the album to the extent that others do. Now, I'm not trying to be negative. I like Mitski and I'm super happy to see her do well! But I just think that there are things that hold this project back, the main culprit being the track lengths. At times, some songs seem like they could be really great, but their brevity results in them having little impact instead. Many songs seem to end abruptly, sometimes right when it feels like the music could be going somewhere interesting. It feels like running a race and you're making amazing time - but halfway through you just lose all of your energy and stop in your tracks. For me, one example of this is "Come Into the Water."
But basically, that's my only complaint. I don't mean to seem too harsh, because I do think that this album is good! There a good amount of genuinely moving moments on here, especially the closing track "Two Slow Dancers." Truly deep, gorgeous, and filled to the brim with emotion. And "Nobody" is a great track too, very fun to jam out to. In addition, there are some cases where I think that the short track length works well, such as with "Geyser." That track flows very nicely!
Overall, this is a good record, and is definitely worth a listen. It's not perfect, but maybe I'm still missing something. Let me know if I am! Either way, it shows an enormous amount of potential. If Mitski takes her ideas from this album and then really expands on them and fleshes them out, I think that she can come out with something absolutely amazing. Excited for what she puts out in the future!"[+]Reply