My Overall Chart: 2101-2200
by
Romanelli 
- Chart updated: 11/09/2025 15:45
- (Created: 02/16/2024 19:43).
- Chart size: 100 albums.
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Produced By GORILLAZ
1. Orchestral Intro
2. Welcome To The World Of The Plastic Beach
3. White Flag
4. Rhinestone Eyes
5. Stylo (Feat. Bobby Womack)
6. Superfast Jellyfish (Feat. De La Soul)
7. Empire Ants
8. Glitter Freeze
9. Some Kind Of Nature
10. On Melancholy Hill
11. Broken
12. Sweepstakes
13. Plastic Beach
14. To Binge
15 Cloud Of Unknowing (Feat. Bobby Womack)
16. Pirate Jet
Virtual bands have sure come a long way from the days of The Archies and Josie & The Pussycats. Most importantly, Gorillaz isn’t a vehicle for empty headed pop designed to sell television cartoon shows and comic books. By their third album, Plastic Beach, Gorillaz had gained enough respect as a legitimate music project that it was almost not seen as a made up band. As usual, an impressive group of guest artists were brought in to the recordings: Bobby Womack, Snoop Dogg, Lou Reed, and Mos Def all make appearances, along with a host of others. And although it was five years later, Plastic Beach serves as a fine follow up to their breakthrough album Demon Days. This record proved that Gorillaz could make magic happen a second time.
The best songs here make this worthwhile. “Stylo”, “On Melancholy Hill” and “Superfast Jellyfish” are great tracks, with “Rhinestone Eyes” and “Empire Ants” not far behind. The guest list helps keep things interesting, but the main winning ingredient is the songwriting. Gorillaz was created to never be boring, and they succeed here with ease. Plastic Beach does deal with the images of landfills filled with plastic, so the subject matter is not always the happiest, but I’m sure we can all deal with that. The main musical force behind Gorillaz is Damon Albarn, the frontman for the band Blur. The visual side is manned by Jamie Hewlett. Gorillaz continues to this day, with another five albums released. Always entertaining, never boring, and nicely unique. [First added to this chart: 02/16/2024]
Produced By FLYING LOTUS
1. Clock Catcher
2. Pickled!
3. Nose Art
4. Intro / A Cosmic Drama
5. Zodiac Shit
6. Computer Face / Pure Being
7. …And The World Laughs With You (Feat. Thom Yorke)
8. Arkestry
9. MmmHmm (Feat. Thundercat)
10. Do The Astral Plane
11. Satelllliiiiiiteee
12. German Haircut
13. Recoiled
14. Dance Of The Pseudo Nymph
15. Drips / Auntie’s Harp
16. Table Tennis (Feat. Laura Darlington)
17. Galaxy In Janaki
Jazz is a music that defies boundaries. Electronic music has limitless possibilities. So, why don’t we hear more electronic jazz? What would it sound like? Steven Ellison, who records as Flying Lotus, has the answer. He has jazz in his blood…he’s a relative of jazz pianist Alice Coltrane, who was married to saxophone legend John Coltrane. But he also thrives on modern music: hip hop is part of who he is as well. The music he makes has been defined as IDM (intelligent dance music), and he pushes the lines between jazz and electronica as far as anyone. Cosmogramma is the high point of his career so far. It’s dazzling, dizzying, confusing and beautiful…all at the same time. He cites J Dilla as a big influence as far as his beats are concerned, which is a very good thing.
But what makes Cosmogramma special is his jazz connection. This is modern music that channels the minds of Miles Davis and Charles Mingus and Coltrane. Without the limits that instruments like the trumpet, bass and saxophone present. Of course, his audience is limited as this is most definitely not pop music. But there will come a time when people will look back at Ellison, and especially Cosmogramma, and see just how special this music is. Electronic music has limitless possibilities, something that not a lot of modern musicians have yet to grasp. There is access to any sound, any rhythm, and any type of structure that one can imagine. The best thing about Cosmogramma is that it shows you how we’ve only begun to scratch the surface of what music can do. Take that, all you “it’s all been done before” folks. [First added to this chart: 02/16/2024]
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My Overall Chart: 2101-2200 composition
| Decade | Albums | % | |
|---|---|---|---|
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| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 1% | |
| 1960s | 5 | 5% | |
| 1970s | 10 | 10% | |
| 1980s | 17 | 17% | |
| 1990s | 34 | 34% | |
| 2000s | 23 | 23% | |
| 2010s | 10 | 10% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
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|
| Alice In Chains | 3 | 3% | |
| TV On The Radio | 2 | 2% | |
| Fugazi | 2 | 2% | |
| Frank Sinatra | 2 | 2% | |
| Various Artists | 2 | 2% | |
| The Flaming Lips | 1 | 1% | |
| Styx | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
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|
|
66 | 66% | |
|
16 | 16% | |
|
6 | 6% | |
|
4 | 4% | |
|
1 | 1% | |
|
1 | 1% | |
|
1 | 1% | |
| Show all | |||
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