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421.

Voodoo 

 D'Angelo

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"no comments at all on this album? makes sense, people were probably listening to it, ready to comment, then suddenly found themselves in a steamy, salty, nine-hour sex marathon. IT HAPPENS WHEN YOU LISTEN TO VOODOO."  Reply

- weedygonsalez | Helpful?  (Log in to vote) | +22 votes (23 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2000

Appears in:

410 charts

Rank Score:

2,371

Rank in 2000:

11

Rank in 2000s:

76

Overall Rank:

421

Average Rating:

 80 (448 votes)

Comments:

21

422.

Born To Die 

 Lana Del Rey

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"Another album that gets low ratings on this site, and I suspect I know why. I remember when Lana Del Rey played "Video Games" on Saturday Night Live, a performance panned by critics and viewers who want female singers to dress titillatingly and give over-the-top live performances like those on Am...""Another album that gets low ratings on this site, and I suspect I know why. I remember when Lana Del Rey played "Video Games" on Saturday Night Live, a performance panned by critics and viewers who want female singers to dress titillatingly and give over-the-top live performances like those on American Idol. This album is pop, but it defies American culture's expectations for what a pop album should be. It's dark and brooding, and it has odd relationship dysfunction as its central subject. A strange formula for mainstream success, which the album nevertheless achieved. The title track is gorgeously written, and hypnotically romantic."  [+]  Reply

- buzzdainer | Helpful?  (Log in to vote) | +12 votes (12 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2012

Appears in:

508 charts

Rank Score:

2,370

Rank in 2012:

8

Rank in 2010s:

51

Overall Rank:

422

Average Rating:

 72 (880 votes)

Comments:

94

423.

Can't Buy A Thrill 

 Steely Dan

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"In 1972 Steely Band, when their debut album "Can't Buy a Thrill" was released, the group was a real band and not just Becker / Fagan with handpicked back-up musicians. The lead vocals are not all sung by Donald Fagen, who leaves some of them to singer David Palmer. In fact two of the very best so...""In 1972 Steely Band, when their debut album "Can't Buy a Thrill" was released, the group was a real band and not just Becker / Fagan with handpicked back-up musicians. The lead vocals are not all sung by Donald Fagen, who leaves some of them to singer David Palmer. In fact two of the very best songs, "Brooklyn" and "Dirty Work" are sung by Palmer. Other core members at this point were guitarists Jeff "Skunk" Baxter and Denny Dias with Jim Hodder on drums. The songs are generally very cacthy and melodic, with "Do it Again" and "Reelin 'in the Years" both making it the top-twenty in the charts. The music can, at some points be compared with country-rock bands like The Eagles or America, but with more musical refinements. Virtually all songs can be called classics, and the album definitely belongs among the group's most successful. The rhythmic side, which has always been a very important part of the group-profile, is apparent with the infectious beats of "Do It Again", "Only a Fool" and "Brooklyn." "Fire in the Hole" is a song pointing more towards future directions - a rather complex melody, which is really very melodic and song likely to grow on you. One song, "Midnight Cruiser" sung by drummer Jim Hodder, almost sounds like a James Taylor song. All in all a terrific debut album, which still has appeal and charm, and with Becker and Fagens songwriting already at a very high level - more commercial, perhaps, than what would later come. "  [+]  Reply

- Rovers | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1972

Appears in:

524 charts

Rank Score:

2,352

Rank in 1972:

13

Rank in 1970s:

108

Overall Rank:

423

Average Rating:

 82 (645 votes)

Comments:

46

424.

Rust Never Sleeps 
Live

 Neil Young & Crazy Horse

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"Amazing amazing amazing ! I mean "Thrasher", "Powderfinger", "Pocahontas", "Sail Away", and both the opening and closing "Hey Hey, My my" are all immaculate and just absolutely powerful and emotional. This is a classic."  Reply

- Mercury | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1979

Appears in:

684 charts

Rank Score:

2,347

Rank in 1979:

9

Rank in 1970s:

109

Overall Rank:

424

Average Rating:

 84 (897 votes)

Comments:

44

425.

Lemonade 

 Beyoncé

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"People on this site love dumping all over pop albums for no reason. If you given this album a 5/100 you clearly haven't listened to it open mindedly or at all."  Reply

- andy_hunter | Helpful?  (Log in to vote) | +29 votes (32 helpful | 3 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2016

Appears in:

514 charts

Rank Score:

2,337

Rank in 2016:

8

Rank in 2010s:

52

Overall Rank:

425

Average Rating:

 77 (666 votes)

Comments:

49

426.

Tubular Bells 

 Mike Oldfield

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"I purchased Tubular Bells in 1983, ten years after the release of the album but I didn't even have a turntable on which to listen to it. I can't remember exactly why I bought it other than seeing the cover at a record shop and thinking it looked really cool. Perhaps the attendant at the store men...""I purchased Tubular Bells in 1983, ten years after the release of the album but I didn't even have a turntable on which to listen to it. I can't remember exactly why I bought it other than seeing the cover at a record shop and thinking it looked really cool. Perhaps the attendant at the store mentioned "It's the music from The Exorcist" (which of course it isn't true, rather some of the album was chosen by William Friedkin for the centerpiece and soundtrack of the film ... though oddly enough, the creepy part, the "caveman" isn't in the film at all), and maybe I thought that sounded like it might be fun too. But I can't say for sure. I just know that the first time I ever heard the album was during an acid trip party with some friends. It didn't turn out to be such a fun night, especially once Pilty showed up ... but it seems like that horror connection turned into a kind of love affair between Pilty and me, as I get the biggest kick out of singing along with him when his part comes along. And so I can say that I truly enjoy the "caveman"part. Most of Side One is unparalleled fabulousness. The exception being the finale with Viv Stanshall. For the life of me I cannot understand why people think the finale is so good. It's just a silly self-aggrandizement and annoyingly repetitive. I'm not knocking how impressive it is in how Mike plays all those instruments, nor dismissing the fact that he plays the really fast, finger-bending bass line throughout the finale in a single take! It's just that, with the exception of the last minute or so of that bit, I could totally do without it. In fact, IMHO we could cut everything from 19:45 - 23:16 and finish off with the remnants of the bells (et al), and the ladies voices and that'd be a good Side One. When Side Two starts out, it sounds like little light creatures dancing upon the clouds, or the sounds of vines growing over the mouth of a jungle cave. Then it goes into all sorts of bits and pieces strung together (similar to how it's done on Side One), and then into the bizarro bagpipes sound, leading up to those creepy tribal/Celtic drums and heeeeere comes Pilty! The final portion on Side Two (Sailor's Hornpipe) I could kind of complain about as it seems really out of place, and more like a filler, BUT, it also acts as a reprieve from the nightmarish visit of the caveman, even though there's the calm part that immediately follows Pilty. So SH acts as a kind of comic relief in a way. I always refer to it as the Popeye segment. While the Edgar Winter Group created "Frankenstein" by metaphorically stitching together bits and pieces of disparate, unfinished pieces, Mike Oldfield creates as entire album by such means. And both work very well. I play this album/CD at least once per year. And when I do play it, I'll often loop it through several times. Either that or I'll play Tubular Bells II next, or maybe Ommadawn ... which I'll end up playing probably 3 or 4 times in a row. And then it'll get stuck in my head ... again. Tubular Bells is one of my top ten favourite albums ever. * An oddball note: For some reason, almost every time, during the Side One finale, which I still let run through even though I don't give a hoot about it (I just like continuity) when Viv Stanshall says "Grand piano" my left cheek, just under my eye, jumps a little -- like a nervous twitch. Strange, eh?"  [+]  Reply

- stegokitty | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1973

Appears in:

550 charts

Rank Score:

2,332

Rank in 1973:

12

Rank in 1970s:

110

Overall Rank:

426

Average Rating:

 79 (663 votes)

Comments:

43

427.

The Boatman's Call 

 Nick Cave & The Bad Seeds

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"I remember when Nick Cave and the Bad Seeds toured this album. Theyopened with Into My Arms and Cave had a terrible time with the first line "I don' t believe in an interventionist god" it took him 4 or 5 gos to get through it and ages to complete the song. Had seen him live a number of times but...""I remember when Nick Cave and the Bad Seeds toured this album. Theyopened with Into My Arms and Cave had a terrible time with the first line "I don' t believe in an interventionist god" it took him 4 or 5 gos to get through it and ages to complete the song. Had seen him live a number of times but never struggle like this. Eventually the gig went well. Anyway this was the night Michael Hutchence did away with himself in the hotel room with Nick being the godfather of his child. Sad but true."  [+]  Reply

- stangetzaway | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1997

Appears in:

585 charts

Rank Score:

2,328

Rank in 1997:

10

Rank in 1990s:

78

Overall Rank:

427

Average Rating:

 81 (704 votes)

Comments:

31

428.

13 

 Blur

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"This album was nearly as mind bending for me as Kid A the first time I heard it. I had never heard anything like it before. The perfect mix of excellent straightforward songs and brash experiments still resonates with me in a big way."  Reply

- chriskarman | Helpful?  (Log in to vote) | +10 votes (12 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1999

Appears in:

608 charts

Rank Score:

2,325

Rank in 1999:

7

Rank in 1990s:

79

Overall Rank:

428

Average Rating:

 79 (847 votes)

Comments:

63

429.

Document 

 R.E.M.

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"REM's fifth album, sees the band starting to lean towards the mainstream, at least in terms of commercial success. Document, is similar to predecessor, life's rich pageant, in that it's predominately a rock album, but this record has a bigger, fuller sound. It kicks off with an REM classic, fines...""REM's fifth album, sees the band starting to lean towards the mainstream, at least in terms of commercial success. Document, is similar to predecessor, life's rich pageant, in that it's predominately a rock album, but this record has a bigger, fuller sound. It kicks off with an REM classic, finest worksong, is one of the band's great opening tracks. The album also contains two other gems, it's the End of the world as we know it, is Michael Stipe's, subterranean homesick blues, a waterfall of nonsensical words, which would become one of REM's most enjoyable songs. The one I love, is another important song, and the band's first hit, an excellent track. Other standouts are fireplace, welcome to the occupation, and the brilliant, exhuming McCarthy. There's a cover of Wire's, strange, and, the record ends with the slight eastern drone of, king of birds, and then finally, oddfellows local 151. It's a very good LP, though the band were swiftly moving away from their independent roots. This would be the last album on the IRS label, Warner Bros. lie in wait, as does superstardom. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

706 charts

Rank Score:

2,325

Rank in 1987:

7

Rank in 1980s:

57

Overall Rank:

429

Average Rating:

 80 (933 votes)

Comments:

48

430.

Benji 

 Sun Kil Moon

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"I love coming to BEA and seeing this one the front page at #1 for 2014. This album is just as boring as the grandfather you never talk to, because you're too busy keeping up with the Kardashians."  Reply

- meccalecca | Helpful?  (Log in to vote) | +16 votes (16 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

588 charts

Rank Score:

2,316

Rank in 2014:

3

Rank in 2010s:

53

Overall Rank:

430

Average Rating:

 80 (787 votes)

Comments:

89

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Total albums: 10,000. Page 43 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	3	0%
1940s	2	0%
1950s	180	2%
1960s	666	7%
1970s	1,536	15%
1980s	1,387	14%
1990s	1,612	16%
2000s	1,771	18%
2010s	1,986	20%
2020s	857	9%

Artist	Albums	%
Bob Dylan	36	0%
The Rolling Stones	33	0%
David Bowie	32	0%
Various Artists	30	0%
Miles Davis	26	0%
Pink Floyd	24	0%
Genesis	23	0%
Show all

Country	Albums	%
	4,970	50%
	2,628	26%
	427	4%
	332	3%
	223	2%
	160	2%
	145	1%
Show all

Compilation?	Albums	%
No	9,717	97%
Yes	283	3%

Live?	Albums	%
No	9,713	97%
Yes	287	3%

Soundtrack?	Albums	%
No	9,884	99%
Yes	116	1%