Listed below are the best albums of the 2000s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 1 hour ago).
"This album meant absolutely nothing to me first few times I heard it, and I have no idea how. Pop-punk was a massive part of my high school experience and I gave all of the big bands a shot, but it seems the appeal of this record was lost on me at the time. I gave it a try again my senior year of...""This album meant absolutely nothing to me first few times I heard it, and I have no idea how. Pop-punk was a massive part of my high school experience and I gave all of the big bands a shot, but it seems the appeal of this record was lost on me at the time. I gave it a try again my senior year of college and it consumed me. It was so thrilling to listen to something so sincere. I feel like it made me aware of how much life I still have in myself, if that makes sense. There are thoughts in my brain that I'm not entertaining but I easily could if I just sat with myself without being afraid of what might happen. That's the charm to Say Anything, they live up to their name. Max is not worried about how his thoughts might affect how he is perceived. In fact he addresses that specifically on "Every Man Has A Molly" how he might be upset about the result of being so vocal but that is not going to stop him from doing it. Lyrically the record takes massive swings that would not work if it wasn't for the music meeting the lyrics at the manic, passionate level they demand. And the arrangements always perfectly swell into different layers of chaos that keep any song from feeling stale or repetitive. And any repetition (Wow I Can Get Sexual) is entirely intentional to match the complementation of the lyrics. The highlight of the record for me is the duology from "Glory" to "Yellow Cat". Sweeping from an anthem of unapologetic, passionate love in a concentration camp inspired by his grandparents, into a depressive, confused portrait of aimless 20 somethings living in the 21st century."[+]Reply
"This is a nice album if you don't feel like diving headfirst into Madvillainy or DOOM's solo stuff. It's like a gateway drug I guess. Speaking of drugs, it's probably better on them. Not that I'd know."Reply
"A true favorite of mine. I think Mean Everything To Nothing is Andy Hull at his most consistent and overall powerful as a songwriter so far. I enjoy each of Manchester's albums, some more than others, but this is the most cohesive with the best individual tracks. The River, Shake It Out, I Can Fe...""A true favorite of mine. I think Mean Everything To Nothing is Andy Hull at his most consistent and overall powerful as a songwriter so far. I enjoy each of Manchester's albums, some more than others, but this is the most cohesive with the best individual tracks.
The River, Shake It Out, I Can Feel A Hot One, and Pride are prime examples of how powerful Manchester's arrangements can be. If you don't feel uplifted by the layered vocal harmony in the second chorus of I've Got Friends, I don't know how to help you."[+]Reply
"Autechre have gone through a few distinct changes over the course of their career, or really just one, very gradual change. From their early Incunabula days as melodic technicians, Autechre have crafted some of the most intelligent and intensely mathematical electronic on the IDM scene, but the s...""Autechre have gone through a few distinct changes over the course of their career, or really just one, very gradual change. From their early Incunabula days as melodic technicians, Autechre have crafted some of the most intelligent and intensely mathematical electronic on the IDM scene, but the shape that their music takes has, with each new album, been slowly moving away from the comparatively logical constructs of Tri Repetae and Incunabula into even more dense and kaleidoscopic territory; Confield is where they hit the apex of this progression. Far more than a means for showing off the musicians' programming prowess and showcasing their knack for studio trickery, Confield manages to engender a unique kind of mental stimulation that, while being the product of something very technical, is hardly devoid of emotional content, nor is it the inaccessibly cold ball of cacophonous intricacies that it is so often accused of being. Quite to the contrary, Confield is in a way more accessible than any of Autechre's more straightforward early albums; if anything the album exhibits more unrestrained freedom than any of its predecessors. This, while initially jarring, results in their most uniquely "human" album to date, despite it's many complexities and its somewhat erratic composition, a composition which, while being the product of seemingly aleatoric rhythmic constructs, is really no more random and chaotic than, say, jazz improvisation. My initial selection for favorite Autechre album was the almost equally chaotic "Draft 7.30", which, for all of its rhythmic fuckery, was really little more than a (albeit brilliantly executed) return to a more Tri Repetae-esque means of production, perhaps a bit of an overcompensation for the unbridled risk-taking that occurred on the above masterpiece"[+]Reply
"One of my favorite records by Mogwai, and one of the first that introduced me to the band when I was in high school. Incredible soundscapes, both heavy and beautiful. I love closing my eyes and letting this album wash over me. Favorite Tracks: Friend of the Night, Auto Rock, Glasgow Mega-Snake, T...""One of my favorite records by Mogwai, and one of the first that introduced me to the band when I was in high school. Incredible soundscapes, both heavy and beautiful. I love closing my eyes and letting this album wash over me.
Favorite Tracks: Friend of the Night, Auto Rock, Glasgow Mega-Snake, Travel is Dangerous"[+]Reply
"This album is a great collage of music in different languages mixed with audio bites from Latin American or Spanish radio. It all flows very well and the music and lyrics reflect the personality and ideas of Manu Chao, who besides having a rock-punk-ska musical background, also embraces Latin Ame...""This album is a great collage of music in different languages mixed with audio bites from Latin American or Spanish radio. It all flows very well and the music and lyrics reflect the personality and ideas of Manu Chao, who besides having a rock-punk-ska musical background, also embraces Latin American rhythms and culture. I think this album should be in the Top 30 of any chart list, if more Anglo Saxon people would be interested in listening to music in other languages. "Mi Vida", "Me Gustas Tú" and "Mr. Bobby" are my 3 favourite songs."[+]Reply
"A really underrated album. The entire thing from start to finish is just a masterpiece. Like originally the only album I had heard from him was Poses, then someone referred me to Want One and I had really no idea how talented this man really is."Reply
"I think I'm halfway in-between the earlier comments. While this album isn't an all-time favourite and some of the covers struggle, it's also not a poorly executed flop. Their covers of Renegades of Funk and How I Could Just Kill a Man aren't better than the originals, but take them in an entirely...""I think I'm halfway in-between the earlier comments. While this album isn't an all-time favourite and some of the covers struggle, it's also not a poorly executed flop. Their covers of Renegades of Funk and How I Could Just Kill a Man aren't better than the originals, but take them in an entirely new direction, with such rhythmic power and aggressive tone. Rage makes each song their own, without trampling the originals. This album is worth it for those two tracks alone."[+]Reply