Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 58,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 1 hour ago).
"Ian Curtis didn't live to see the release of Joy Division's second album, but the music he made on those two records will live forever. I think great music has to have the ability to make you feel something, and Closer definitely has that. It's impossible to listen to Closer and not feel somethin...""Ian Curtis didn't live to see the release of Joy Division's second album, but the music he made on those two records will live forever. I think great music has to have the ability to make you feel something, and Closer definitely has that. It's impossible to listen to Closer and not feel something intensely powerful, a oppressive sadness runs through every fiber of the album. Martin Hannett's production is spacious, and feels like it's being played from within a giant empty cathedral, yet still feels claustrophobic at the same time. There's nowhere to run or hide from the bleak nihilism, it washes over you and through you with every track. A truly sad masterpiece."[+]Reply
"mellon collie is huge and is often knocked for being too bloated. Many critics say, if it was trimmed to a single album, it'd be even better than siamese dream. Even if it were bloated, that statement itself says that mellon collie based on some of its parts is better than siamese dream, and i'd ...""mellon collie is huge and is often knocked for being too bloated. Many critics say, if it was trimmed to a single album, it'd be even better than siamese dream. Even if it were bloated, that statement itself says that mellon collie based on some of its parts is better than siamese dream, and i'd agree. Where siamese dream is great because of great songs and the freshness of the pumpkin sound, mellon collie is even better because it has more great songs and perfects the pumpkin sound. They rock harder here than on SD -- check out "zero" or "an ode to no one" or "where boys fear to tread" or "x.y.u.". (These songs rocked harder than most of roblee's metal/rock.) They're more beautiful than on SD. They've written just as catchy pop songs as SD -- mellon collie even topped "today" with "1979". They capture frustration and pain and love perfectly.
Since this is one of my favorite albums of all-time, i'll give a track-by-track review.
DAWN TO DUSK [disc 1]
MCATIS: Pleasant intro track.
Tonight, Tonight: Sweeping and epic. Lovely and delicate. "Time is never time at all / you can never ever leave / without leaving a piece of you". I'm a fan of even-better-than-the-rest-of-the-song endings and this song has it in its particular grand summation. Believe in me...tonight.
Jellybelly: Situated between two radio releases, this song holds its own between the epic and the fiery self-deprecation. It's a little overreaching with its lyrical emptiness stating "living makes me sick", but the rocking riffwork and vocal delivery makes up for the little lyrical inadequacy here. I like this wordplay: "give in to your forevers / and live for always".
Zero: The shrieking "YOU!" ending "jellybelly" leads into this song which i basically have memorized. Interesting metaphors/analogies in here, like "i'm the face in your dreams of glass" and "my reflection / dirty mirror / is no connection to myself" and "emptiness is loneliness, and loneliness is cleanliness and cleanliness is godliness, and god is empty just like me ". And this song has a mad rush of terror at the end punctuated by loneliness.
Here is no Why: The loneliness continues here as billy sings about "the lonely towers of long mistakes /to forgotten faces and faded loves ". Nice song to bridge the power of "zero" and "bullet".
Bullet with Butterfly Wings: Interesting metaphor. Song starts out "the world is a vampire" and is about "betrayed desired" culminating in a chorus that says "despite all my rage, i'm am still just a rat in a cage". (Take "rat in a cage", remove almost all the inside letters, and you end up with "rage". Was this intended?)
To Forgive: This song is a beautiful comedown from "bullet" starting "ten times removed / i forget about where it all began / bastard son of a bastard son of / a wild eyed child of the sun ". About "holding back the fool again" where "i forget to forget nothing is important".
An Ode To No One: I think the "i'd never be the shine in your spit" lyric sums this song up. It's grating, pissed off and in your face. And it rocks. "This message is for anyone who dares to hear a fool". "Destroy the mind / destroy the body / but you cannot destroy the heart". A lot of fun lyrics. This song shreds at the end screaming "I DON'T NEED YOUR LOVE TO DISCONNECT!".
Love: Another great comedown with the foreboding synths of "love" about "my mistakes of cowardace". It sounds offhanded and simple, but the lyric of "love, it's who you know" is generally appropriate. The guitar licks sound synth-lick too. It's like he's saying love has an artificial quality.
cupid de locke: This song sounds sweet but is full of mischief and unfulfilled desires. "Your world be shattered with nary a note / Of one cupids arrow under your coat " ending in what sounds like a first-person insight upon the world of love: "And in the land of star crossed lovers / And barren hearted wanderers / Forever lost in forsaken missives and Satan's pull / We seek the unseekable and we speak the unspeakable / Our hopes dead gathering dust to dust / In faith, in compassion, and in love".
galapagos: "Aint it funny how we pretend we're still a child". Soft-sung at first, this one gracefully builds into a confessional where billy pleads "rescue me from me and all that i believe". It's a song questioning whether to love at all basically saying to believe in love is to be as innocent and naive as a child regarding all the (negative) possibilities of love. In the 3 song suite about love, this concluding number is the most beautiful and endearing.
muzzle: Another song with a Tnotch ending with some revealing lines like "my life has been extraordinary / blessed and cursed and won / time heals but i'm forever broken " where "the world so hard to understand / is the world your can't live without / and i knew the silence of the world ". Love unrequited.
take me down: James Iha sings this one where "all i see is you". It's a nice little number by itself and doesn't seem out of place on the album, but IMO unnecessary in the grand scheme of the album. There's enough of a comedown in "muzzle" to seque well into the first track of the next disc.
TWILIGHT TO STARLIGHT [disc 2]
where boys fear to tread: this slow-build shredder kicks off the "twilight to starlight" second disc. It's an ominous beginning musically detailing the "king of horseflies, dark prince of death" telling of the remnants of a love lost with "A veiled promise to never die / On dead highways".
bodies: "bodies" ups the ante of devastation, both lyrically and with the guitar, stating plainly "love is suicide". Those who perish to love?: "The empty bodies stand at rest / Casualties of their own flesh / Afflicted by their dispossession". You can feel the pain when he screams "no bodies!". "love is suicide" indeed.
thirty-three: The above shreadfest couplet slips into 3 more georgeous songs anticing us back to the arms of love. "33" starts "speak to me in a language i can hear / humor me before i have to go". He's forgiving everyone accepting love's end yet still in denial, self-deprecating in honesty professing "tomorrow's just an excuse away". Beautiful anguish captured in this beautiful lyric "I know I'll make it, love can last forever / Graceful swans of never topple to the Earth". Another tune that can tear me up.
in the arms of sleep: love is a dream. this song continues the sentiments of "33", shuffling along slowly through the residual pain. "peace will not come to this lonely heart" ending wonderfully/tragically "suffer my desire".
1979: You've heard this song. It's a trip along memory lane across a simpler time of youthful fancy. This may be the dream alluded to in the previous song. Upbeat and catchy (it's fun when the drum (machine?) kicks in), a more foot-tapping version of "today". a lot of fun lyrics in here. "on a live wire right up off the street / you and i should meet" for "Justine never knew the rules, / Hung down with the freaks and the ghouls". But no matter what happens regarding the blues or one's destiny "we don't know / Just where our bones will rest / To dust I guess / Forgotten and absorbed to the earth below". Love this song. Upbeat and yet somewhat despondant.
tales of a scorched earth: you can instantly tell this song's gonna kick your ass, with the train wreck of guitar and billy's distorted screams of "farewell goodnight last one out turn out the lights" proclaiming an answer to his torturous question "why do the same old things keep on happening? / because beyond my hopes there are no feelings ". And just when you think the song is losing momentum it kicks your ass again 2/3 of the way. The line "i lie just to be real, and i'd die just to feel" is a little overdramatic, but affective in the context of this slayer.
thru the eyes of ruby: an eerie calm awaits on the other side of "scorched earth". it's the surreal aftermath speaking in tongues like "wrap me in always and drag me in with maybes" and "i believe in never, i believe in all the way" but "belief is just some faith / and faith can't help you to escape". Guitars rise throughout the song following in the momentum of "scorched earth". then it trails off into pretty dreamland as an intro to...
stumbleine: this is the breather between rockers singing "Boredoms in the bathroom shaking out the loose teeth" where, if you were at their concert performing the whole album straight-through, this is where you'd exit for a quick bathroom break. Not saying it's not a good song though. Some more interesting lyrics like "Mommy's in the manger with the little kids / She's got her reasons, got my forgets / Of tears and idle threats / Misplaced". While the album as a whole doesn't really tell a cohesive story, each song seems to tell its own unique story, as "stumbleine" is an example of.
x.y.u.: you know your arse is in trouble again! love this song. always wish i could've seen this done live. This is a masochistic billy singing "i said, i wanna fill you up, i wanna break you, i wanna give you up " and "i couldn't feel her, and it was just a game, / cause i was lonely and she was crazy ". There are some silly lyrics, but they drown under the ferocity. There's a mild break before it ends staring into the eyes of a jackyl frantically singing "now we begin descent, to where we've never been / there is no going back, this wasn't meant to last / this is a hell on earth, we are meant to serve ". This is the last rocker on the album ending the rockfest superbly.
we only come out at night: Vampiric tale drumbeat pulsating with angelic harp. Cool song. Great contrast to "x.y.u.". Another example of great sequencing on this album (for the most part). Billy tries to comfort: "once again, you'll pretend to know that / There's an end, that there's an end to this begin / It will help you sleep at night".
beautiful: Pretty song. One of the few songs that actually sounds like a love song and not a facade for lovelorn torment. There's an appreciation for (a) love, as familiar as a comfy bedtime pillow. "i'll be under your stars forever ". (Beware, the beauty might be a facade hiding a stalker song!)
lily (my one and only): Pretty song. Another ode to love. This song reminds me of the someone i met in 1996.
by starlight: At this point, i'm on the ballad breaking point. Good song questioning love again. This would make a nice album closer into the deep, dark night. "dead eyes, are you just like me?"
farewell and goodnight: Pleasant goodnight featuing iha & d'arcy singing us out as well, but either this or "by starlight" could've been left off to ease the long nighttime passing."[+]Reply
"Makes you nostalgic for some stereotypical American high-school/college fantasy life you never lived. Loud and bold pseudo-grunge sound with positive undertones that makes it wonderfully upbeat. Insanely catchy but without the usual cheesy baggage you get with other pop songs. Yet, it's hardly an...""Makes you nostalgic for some stereotypical American high-school/college fantasy life you never lived. Loud and bold pseudo-grunge sound with positive undertones that makes it wonderfully upbeat. Insanely catchy but without the usual cheesy baggage you get with other pop songs.
Yet, it's hardly an album of its time; it still sounds fresh and stands up well against modern pop rock. It's real accomplishment, however, is its accessibility. It's got more depth that most pop records, yet its just as easy to get into. That's the real reason it never gets old.
A must-listen for anyone wanting to get into 90s alt rock, and an essential soundtrack for any teenager out there."[+]Reply
"I can't get over how she set me free 0h, oh, lonesome me... Is there another album that more embodies the sound of the 70s? Back when bands' lyrics were repeated by the faithful like sacred truths. Back when albums seemed larger than life carrying their own mythology and album covers were gazed u...""I can't get over how she set me free
0h, oh, lonesome me...
Is there another album that more embodies the sound of the 70s? Back when bands' lyrics were repeated by the faithful like sacred truths. Back when albums seemed larger than life carrying their own mythology and album covers were gazed upon for hours as if they held some divine truth. Back when bands were fronted by prophets or gods to indulge us common folk with their truths & power. Neil Young was always more the prophet than the god despite his considerable guitar prowess. Fitting that such a prophet should make the perfect album of love flickering out.
Favorite tracks: Lonesome Blues, Don't let It Bring You Down
Aside: Simply one of the best breakup albums ever!"[+]Reply
"once the Beatles married the 1967's pink floyd. But when they got married a ray of light coming from a kaleidoscope hit them, and transported them to the future, in the future they turned into hipsters and vomited music,that vomit shapeshifted to a huge monster with four heads. They all fought un...""once the Beatles married the 1967's pink floyd. But when they got married a ray of light coming from a kaleidoscope hit them, and transported them to the future, in the future they turned into hipsters and vomited music,that vomit shapeshifted to a huge monster with four heads. They all fought until death. Their fallen pieces on the ground magically rebuild themselves into an album... and that album is lonerism"[+]Reply
"Easily one of the best albums I've listened to. If you have difficulty getting into it like I did the first time, take a break from it and come back later, like I did. It ended up being one of my greatest decisions."Reply
"I'm sure this has been done a million times, but I'm going to do it anyway. "Hey, what are you listening to?" "Yes." "Ok, what are you listening to?" "Yes." "Dude, answer me...what are you listening to." "I just told you twice." "No, you didn't tell me at all." "Yes, I did." "What are you listeni...""I'm sure this has been done a million times, but I'm going to do it anyway.
"Hey, what are you listening to?"
"Yes."
"Ok, what are you listening to?"
"Yes."
"Dude, answer me...what are you listening to."
"I just told you twice."
"No, you didn't tell me at all."
"Yes, I did."
"What are you listening to?"
"Yes."
"WHAT ARE YOU LISTENING TO?"
"I am listening to Yes."
"That doesn't even make any sense."
"Yes, it does."
"Why do you not want to tell me who you are listening to?"
"I've told you several times who I am listening to.
"Who then?"
This band called Yes. Not the Globberschmoggles, or anything like that.
"The who?"
"No, Yes"
"No, Yes.."
"Yes, not The Who, Yes."
"I'm going to fucking murder you.""[+]Reply
"What I was trying to convey with the slightly awkward comment below is that this is not at all a fun and happy album as some commenters have said. I mean look at the lyric subjects for the first half of the album, we've got: longing (Care of cell 44), loneliness (A Rose for Emily), jealousy (Mayb...""What I was trying to convey with the slightly awkward comment below is that this is not at all a fun and happy album as some commenters have said. I mean look at the lyric subjects for the first half of the album, we've got: longing (Care of cell 44), loneliness (A Rose for Emily), jealousy (Maybe after he's gone), nostalgia (Beechwood Park) and lost love (?) (Brief Candles). Heavy stuff. Then suddenly it makes a full turn and we get hope for the future(Hung up on a dream, This will be our year), lust (I want her she wants me), with a slight reminder that war is horrible thrown in there (Butcher's Tale), all culminating in a euphoric description of friendship (Friends of mine). Actually if I have any critisism of the album it is that it could have ended after that one. Time of the season is really good, but it's the only song I could live without."[+]Reply
"While The Strokes represented the Television-y part of the '00s punk revival, Interpol came to be the leading band of the gloomy Suicide/Joy Division-inspired section of the thing. But Paul Banks went further from only mimicking this sound: they renewed their work in a way that fits perfectly the...""While The Strokes represented the Television-y part of the '00s punk revival, Interpol came to be the leading band of the gloomy Suicide/Joy Division-inspired section of the thing. But Paul Banks went further from only mimicking this sound: they renewed their work in a way that fits perfectly the new century's fears and emotions."[+]Reply
"145th best album of all time is a bit of an insult. This beautiful, timeless, life-changing masterpiece deserves to be far higher. Every single track is sublime; from the elegant, sweeping brilliance of "Joga" and "Bachelorette" to the more electronic stompers like "5 Years" and "Pluto". I can't ...""145th best album of all time is a bit of an insult. This beautiful, timeless, life-changing masterpiece deserves to be far higher. Every single track is sublime; from the elegant, sweeping brilliance of "Joga" and "Bachelorette" to the more electronic stompers like "5 Years" and "Pluto". I can't recommend this album enough, it easily outshines its two predecessors and represents a landmark album in the electronic genre.
One of my favourite albums ever from my favourite artist.
"[+]Reply
souplipton | Helpful? (Log in to vote) | +8 votes (8 helpful | 0 unhelpful)
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paladisiac | Helpful? (Log in to vote) | +11 votes (11 helpful | 0 unhelpful)
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DeusExMackia | Helpful? (Log in to vote) | +7 votes (8 helpful | 1 unhelpful)
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Antonio-Pedro | Helpful? (Log in to vote) | +14 votes (14 helpful | 0 unhelpful)
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BigPoppa93 | Helpful? (Log in to vote) | +9 votes (9 helpful | 0 unhelpful)
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bonafini | Helpful? (Log in to vote) | +15 votes (15 helpful | 0 unhelpful)
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